Also known as Joe Jones, Sharper’s Joe Jones.
Joseph Saunders, 1878 (?) – ?
Stephen Sedley recorded a number of songs from the Gypsy singers Joe and Lena Cooper, camped near Edenbridge, and it was they who suggested he should visit Joe Saunders; indeed, their son Bert accompanied Sedley on his first visit, to show him the way.
The Coopers were insistent that I should record their kinsman Joe Saunders [Sedley records in a footnote “I think he had one or two spare names; one was Ridley”]. Joe’s caravan, which he shared with his grown-up daughter Liza, was stationed on farmland on Biggin Hill with the agreement of a friendly farmer. I visited him there at least twice in 1965-7.
Joe was a veteran poacher (I suspect he paid rent in the form of an occasional hare or pheasant). He was also a bird-breeder. He told me that as a boy he would teach a canary to sing a linnet’s note, then use it as live bait to trap a linnet. The offspring were sterile and hence known as mule-birds, but they were superb singers. ‘You could get five pound for one at the big houses.’ It’s at least possible that he also bred fighting cocks.
Liza had a superb voice, but she preferred to sing Jim Reeves classics that she’d learnt from the radio. Joe wouldn’t sing a note without a quart of cider, but once this was provided he was unstoppable. His songs, as the tapes illustrate, were in large part the classic English rural repertoire, enhanced by Irish rebel songs (‘Kevin Barry’) and subversive army songs (‘McCafferty’). Their fit with the traditional repertoire can perhaps be best seen from the use made of them in two anthologies, The Seeds of Love (1967) and Who Killed Cock Robin? (2021, with Martin Carthy).1
Sedley – who found himself defending Gypsies in court on more than one occasion – notes that Joe Saunders “had the unusual good fortune of a year-round standing for his caravan on a friendly farmer’s land on Biggin Hill, so he was safe from harassment”.2
Piecing together any kind of biographical picture of Joe Saunders has proved very difficult. Stephen Sedley believes that Joe had been in the army as a young man, and that he might have been aged around eighty at the time that he met him.3 Based on this information, one possible match is found in a Militia Attestation dated 31st December 1900, where a 22-year-old Joseph Saunders from Croydon in Surrey was signing up to serve in the 3rd Battalion, East Surrey Regiment. His residence was given as 82 Wilford Road, Croydon, his trade or calling was shown as Costermonger, and his most recent master was a Mr McDonell of Croydon. Looking at the Census records for 82 Wilford Road in 1901 – just a few months later – we find that the Head of the Household is William Saunders, aged 41, whose occupation is Hawker. Living with him are his wife Mary Ann, and eight children, the two eldest of whom are also shown as Hawkers. Ten years earlier, in 1891, William and Mary Saunders were living at 17 Union Street, Croydon. At the same address were four sons, aged from five to ten, but Joseph was not among them, nor has any record of his birth or baptism been located as yet. There is absolutely no guarantee that this is the same person as the Joe Saunders whom Stephen Sedley met in the 1960s, but no more likely match has so far been found.
The situation is further complicated by the fact that the singer who Mike Yates recorded in the 1970s as Joe Jones (aka “Sharper’s Joe”) appears in fact to be Joe Saunders, under a different name. It is not simply that those songs recorded from Saunders / Jones by both Sedley and Yates share the same tunes and words, but comparison of the recordings suggests that it’s the same singer – albeit, almost a decade on, sounding rather older.
Yates appears to have recognised this: there are recordings in his collection where the performer is labelled as “Joe Jones “Sharper’s Joe” 1966.03.26 Biggin Hill, Kent”.4 Listening to these recordings, it is clear that they are identical to those made of Joe Saunders by Stephen Sedley; not only that, but the date and location tally exactly with those of Sedley’s recordings.
In the same way as Joe and Lena Cooper had pointed Stephen Sedley towards their kinsman Joe Jones, Mike Yates was directed to Sharper’s Joe by a Gypsy called Joe Cooper (whom I have assumed, perhaps incorrectly, to be the same Joe Cooper as Sedley had recorded).
The first gypsy that I met was Joe Cooper, an old man who had parked his trailer in a country lane near to where I live. I saw him one afternoon sitting bolt upright on a wooden chair which had been conveniently placed by the side of an open wood fire. Joe was cleaning a fiddle and I could hear him humming a tune to himself as he went about his work. The fiddle provided a mutual topic of conversation and, before long, we were talking like long lost friends. On the subject of songs I found Joe to be somewhat reticent. He sang me three or four, but confessed that his heart really wasn’t in the singing, explaining that he had just lost his wife and that songs had meant a great deal to her. Anyway, he said, why didn’t I go and see ” Sharper’s Joe ” who was only camped a few miles away. He would certainly oblige.
And oblige he did. I met Joe Jones within the week and discovered that his father’s name was Sharper — hence his own nickname ” Sharper’s Joe” — and that, although aged about ninety, he was only too willing to sing. In fact, once started it was almost impossible to get him to stop! On one memorable October morning I switched on a tape recorder and recorded the following songs: Van Dieman’s Land. The Box Upon Her Head. The Farmer of Chester. King William and the Keeper. Shooting Goshen’s Cock Ups. I Wish, I Wish. The Banks of Sweet Primroses. Hares in the Old Plantation. Brian O’Lynn. The Banks of Claudy. In Thorneymoor Park. Brennan on the Moor. John Barleycorn. It soon became apparent that Joe was not only a singer but an expert story teller, a non-stop riddle teller and a champion toast master as well. His favourite toast runs like this:
Lending and spending and giving away
Are the three easiest things you can do in a day.
But working and labouring and earning your own
Are the three hardest things that man’s ever known.
Here’s to the man that’s industrious.
Here’s to the man that works hard for his brass
And never denies his own country.5
Writing in the 1975 Folk Music Journal, which included transcriptions of three of Joe’s songs, Mike Yates wrote
Although now in his nineties, Mr Jones has a good memory. In his youth he was a poaching companion of the late George “Pop” Maynard of Copthorne6
George Maynard was a well-known singer from Sussex, recorded in the 1950s and early 60s by Peter Kennedy and Ken Stubbs7. There are at least two songs – ‘Shooting Goshen’s Cock-Ups’ and ‘William Taylor’ (‘You Subjects of England’), both poaching songs – which were found in the repertoire of both Pop Maynard and Joe Jones.
Yates’ recordings of Sharper’s Joe were made between 1973 and May 1975. It’s worth noting that, if he really was born in 1878, he must have been aged around 97 when the last of these recordings were made, and was still in remarkably fine voice.
Included in the 1975 FMJ article was a full list of the songs that Yates had now recorded from Joe. Several of these recordings subsequently appeared on the Musical Traditions CD, Here’s Luck to a Man… released in 2003. In the CD booklet Yates wrote
Joe Jones, or ‘Sharper’s Joe’ – after his father, Sharper Jones – (or even ‘Joe Cooper’ as I heard him addressed on one occasion) and his wife Lena were living in an old caravan on a site at St Mary Cray, Kent. Whenever I called, Joe would be squatting over an outdoor fire, no matter whatever the weather, and all of my recordings were made outdoors. On one occasion, when we were constantly being interrupted by children, we retreated to the edge of a nearby wood. As I set up my mike stand I felt something tapping my shoe. Simultaneously Joe began to frantically point and shout and it was only when I looked down that I noticed that I had stepped backwards onto a rather sleepy adder. Luckily the fangs failed to cut through the shoe and no damage was done.8
This paints a vivid picture. But it creates yet more confusion for anyone trying to unpick the details of these Gypsy singers. While Mike Yates talks about Joe living with his wife, Lena, Stephen Sedley makes no mention of Joe’s wife, saying only that he lived with his daughter Liza. Meanwhile the recordings on Here’s Luck to a Man… ascribed to ‘Lena Jones’ are definitely those made by Sedley in the 1960s of Lena Cooper, while the version of ‘Ripest Apples’ on the CD is not, as the track listing would have you believe, sung by Joe Jones, but by Lena’s husband Joe Cooper (again, recorded by Sedley in 1966).
Songs
“He had a large repertoire. He wouldn’t sing a note until he had a quart of cider, but once started he couldn’t be stopped”.9
Joe Saunders, recorded by Stephen Sedley:
- As I was bound apprentice (Roud 299)
- The Barley Straw (Roud 19112)
- Bold Reynolds (Roud 190 / 358)
- Botany Bay (Roud 261 / 519)
- Captain Grant (Roud 1286)
- The Cuckoo (Roud 413)
- The Cuckoo’s Nest (Roud 1506)
- Down by some riverside (Roud 564)
- The Farmer of Chester (Roud 2638)
- The Game of Cards (Roud 232)
- Gather round (Roud 23635)
- Hares in the old plantation (Roud 363)
- Hartlake Bridge (Roud 1729)
- I Wish I Wish (Roud 495)
- King and the Keeper, The (Roud 853)
- Love it is pleasing (Roud 1049)
- My single sailor (Roud 264)
- Oyster Girl (Roud 875)
- The Pear Tree (Roud 1713)
- Ripest Apples (Roud 146 / 542)
- Squire Poppa’s Park (Botany Bay) (Roud 519)
- Ten Penny Walnuts (Roud 2520)
- Transportation Song (Roud 519)
- When this wicked war is over (Roud 3446)
- Yonder Comes The Devil (Roud 16319)
Joe Jones, recorded by Mike Yates:
- The Banks of Claudy (Roud 266)
- The Banks of Sweet Primroses (Roud 586)
- The Barley Straw (Roud 19112)
- A Blacksmith Courted Me (Roud 816)
- Bold Reynolds (Roud 190 / 358)
- Botany Bay (Roud 261)
- Box upon her head (Roud 289)
- The Brake of Brambles (Roud 47479)
- Brennan on the Moor (Roud 476)
- Brian O’Lynn (Roud 294)
- Captain Grant (Roud 1286)
- The Cuckoo (Roud 413)
- Cuckoo’s Nest (Roud 1506)
- The Farmer of Chester (Roud 2638)
- The Game of Cards (Roud 232)
- Hares In the old Plantation (Roud 363)
- Hartlake Bridge (Roud 1729)
- I called for a pot of ale (Roud 47478)
- I Wish I Wish (Roud 495)
- John Barleycorn (Roud 164)
- The King and the Keeper (Roud 853)
- Little dun mare (Roud 176)
- Love is pleasing (Roud 1049)
- On board a Man o’ War (Roud 662)
- The Pear Tree (Roud 1713)
- Seventeen come Sunday (Roud 277)
- Susie Simmonds (Squire Poppa’s Park, Transportation Song, Van Dieman’s Land) (Roud 519)
- Thornymoor Park (Roud 222)
- Yonder Comes The Devil (Roud 16319)
- You rambled up the street, I rambled down (Roud 25885?)
- Toast: The Little Bees
- Toast: Lending and spending and giving away
Discography
Mike Yates’ recordings of Joe Jones are included on the following releases:
Here’s Luck to a Man: An Anthology of Gypsy Songs & Music from South-East England, Musical Traditions MTCD320 (CD-R, 2003).
Songs of the Open Road: Gypsies, Travellers & Country Singers, Topic Records 12T253 (LP, 1975), TSDL253 (digital download, 2009).
https://www.topicrecords.co.uk/2010/12/various-artists-songs-of-the-open-road-tsdl253/
Travellers: Songs, Stories and Tunes from English Gypsies, Topic Records 12TS395 (LP, 1985), TSDL395 (digital download, 2015).
https://www.topicrecords.co.uk/2015/05/travellers-songs-stories-and-tunes-from-english-gypsies-tsdl395/
- Stephen Sedley, Joe and Lena Cooper, Joe and Liza Saunders: A note to accompany tape recordings
of Travellers’ songs made in 1966 at Edenbridge, personal communication, August 2023. ↩︎ - Stephen Sedley, email correspondence, 12 March 2025 ↩︎
- Stephen Sedley, email correspondence, 11 and 12 March 2025 ↩︎
- Mike Yates collection C 796/12-16, listed in the VWML catalogue, https://catalogue.efdss.org/cgi-bin/koha/opac-detail.pl?biblionumber=72230 ↩︎
- Mike Yates, Some Gypsy Singers in South East England, English Dance & Song, Spring 1975, p14 ↩︎
- Mike Yates, English Gypsy Songs, Folk Music Journal, Vol 3 No 1 (1975), p79 ↩︎
- For information on George Maynard, and to hear recordings of some of his songs, see the Sussex Traditions website, https://sussextraditions.org/singer/pop-maynard/ ↩︎
- Mike Yates, notes to Here’s Luck to a Man…, Musical Traditions MTCD320, 2003, https://www.mustrad.org.uk/articles/luck#sing ↩︎
- Stephen Sedley, email correspondence, 11 March 2025 ↩︎