Joe Smith

Joseph Smith, 1905– ?

Joe Smith was the husband of renowned singer Phoebe Smith. He sang, and played fiddle and melodeon.

The 1939 Register gives his date of birth as 4th February 1905. When he married Phoebe in October 1930 his father was shown as Manuel (presumably short for Emmanuel) Smith, Labourer, Deceased. Possibly this was the Manuel Smith who, as a six-year-old, was found by census enumerators residing with his parents and four brothers at Hintons Cottages, Barnes, in Surrey. The older members of the family were all listed as “Travellers (Hawkers)”.

Joe met Phoebe at hop-picking time in 1929.

Joe: Well, round the campfire at night after we finished hop-picking. She come down to see my sister-in-law, you see, to have a word or two with her, I suppose. And I sat there playing the violin. And we started speaking, and…

Phoebe: My husband, he started to talk about the hop picking, and I was rather bashful and shy.  And I didn’t know much to say at all. As a matter of fact, I was afraid, really, to speak to him, thinking my father and mother would hear me.

Joe: Well… I thought you were shy and so was I.

Phoebe: I were really smiling at him playing the fiddle, you know, and his brother, you see. Keep looking at me and he keep nodding his head, you see, ‘awards ‘im playing this fiddle, because his brother just couldn’t stand the row. We were grinning at each other, you know, but at the time being I never had any more thought of courting or marrying him than flying. And then he said to me “I’d like to write to you when I go home, would you  like to write to me?” I said “Well, you can write and I’ll answer your letters”. And then next year, they come down hop-picking and you said to me, “Would you marry me?” I said, “Well, I’m not old enough really. I’m only seventeen”. So he said there’s lots of girls and boys get married at seventeen and eighteen.

Joe: She was a trouble. I kept writing, you know? And she kept saying she’d see, and all this sort of thing and I got fed up. And every weekend I had off I used to go down there. Never used to go down home because I wouldn’t dare, you see. Her father wouldn’t let her out if I went down home. She say to me “Well, I’ll meet you at the bus stop at Canterbury”, which was the nearest point, you see, where the buses come in, and that’s how we done our courting, and we never did go to the pictures. 1

After a year of this rather frustrating courtship, they ran off together and settled at West Tilbury in Essex. They were married on 27th October 1930, and their first son, Joseph (later to be known as ‘Big Joe’) was born in 1932.

Phoebe recalled

We had our babies in the first year we were married and I was very ill for quite a long time after the baby was born. His name was Joe. I remember when he were borned, the doctor said to me “You’ve got a lovely baby boy”. He goes “8 pound and a quarter”. Of course, I was thrilled to death. He had long black hair, you know, and beautiful red, rosy cheeks, lovely pink complexion. And I said “Can I hold him?” He said “Yes” and ‘course I hold him for a little while and they brought the cot in, put him to bed. But oh, he was a lovely babe. But he never did cry. And the nurses used to call him ‘Peaceful Joe’.

And, all at once, you know, as I stopped there having my breakfast the nurse come running in and she said “I’ve just had your husband on the phone, Mrs. Smith”, she said. “My goodness”, she said., “I thought”, she said, “he were going to come right down the phone when I told him you had a lovely boy”.

To which Joe added

Well, I didn’t know anything about it, you see. I was working and I know she went to hospital because I went with her, practically. And she was ill overnight, you see. Well next morning I rang through, at the time when the babe was born… First time being a father, I didn’t know what to make of it.

In course of time Joe and Phoebe had seven sons: Joe, Henry, Israel (Nick), John, Emmanuel (Manny), Fred and Tom. Joe’s birth was registered in the Croydon district. The births of subsequent children were registered in the Billericay, Orsett, Thurrock or Chelmsford districts of Essex, with the youngest, Thomas being registered at Ipswich, Suffolk in 1953.

By the time of the September 1939 Register Joe had found them a home at 57 St Chad’s Road, Tilbury, Essex. His occupation was given as “Caterpillar Driver – Oil Co”. He was navvying with pick and shovel at the start of the war, but then  moved on to operating a D8 Caterpillar for around eighteen months:

And of course working one day and this machine come on there, this new machine. And it’s only about the second one in the country then. The D8 Caterpillar, a big Caterpillar, the D8 Caterpillar with a 12 yard scraper at the back. And we was cutting chalk, you see. And I stood looking at this machine and the foreman says to me, then – well I was interested in it – he said, “Do you think you could make a go of that?” And I said “Yes”. “Well,” he said, “go on, get on with it”.

This may have been a sedentary job, but it was physically demanding, and with a 180 horse power engine constantly revving it was so loud that Joe had to get off and walk away from the machine before he could hear what anyone was saying to him.

I have come ‘ome of a night time with, with my arms aching so I could hardly make a cigarette. Arm work all the time. It’s a sitting down job, but you have a strain on your arms all the time.

He also got diesel rash from working on the machine.

I had diesel rash. And your face all comes out. So I couldn’t shave about six weeks.

His war work for the Air Ministry took him to Scotland at one point.

So I went to Scotland. I thought it was  beautiful. I used to walk down Princes Street Garden. I think it was the wonderfullest place I ever been.

The work was even harder, however, as the frosty ground was so hard “we have to rip it up with the rippers before we can pick it up”.

At some point around 1943 Phoebe and Joe moved to Melton near Woodbridge, and this is where they remained for the rest of their lives. An obituary of his son Nick recalled that

It wasn’t a particularly easy childhood, the family were bombed out of 2 houses during the war, which led his father Joe, to come up to Suffolk and buy some land in Melton –  now named Smithfields – just opp Fairhead and Sawyer. Following the family tradition, they moved out of the home each spring, to work in the fields and come harvest time, Nick would be fruit picking and hop picking, before returning to Melton for the winter.2

In 1952 Joe was fined £2 for keeping two dogs without a licence. Reporting this, the local newspaper described him as a firewood merchant,3 but he subsequently moved into the scrap-metal business, also selling any antiques that Phoebe picked up – “I like to keep buying plenty. I can keep selling plenty then. And you earn plenty of money. Love it”. In addition, the family continued to do seasonal agricultural work.

Frank Purslow, writing in 1970, said:

Near a small Suffolk market town is a well-conducted scrap metal business run by Joe Smith and some of his sons. Next to the yard, in a neat garden, stands the Smiths’ bungalow (built mostly by family labour) surrounded by the trailers of the Smith boys and their families.4

Mike Yates, who began to visit the Smiths a little later in the 1970s wrote:

In those days Phoebe and her husband Joe were living in a bungalow at the side of a moderately busy road. There was a small scrap yard at the side of their home, where Joe and his sons worked.5

They had also kept a caravan some eighty miles away at Potton in Bedfordshire, as reported in the Biggleswade Chronicle, 22nd October 1971:

Wants to keep his caravan on Potton site

Pressing his case to be allowed to keep his caravan on land at Myers Road, Potton, a man told a planning inquiry recently he had nowhere else to go, if he had to leave the site.

Mr. Joseph Smith had asked Biggleswade RDC for permission to station his caravan on the land, but the council, acting for the county council, have refused.

Mr. Smith said he lived in the caravan with his wife and two children. For 28 years he lived at Woodbridge, Suffolk, but he frequently came to the Potton area to work in agriculture in the summer. In the winter he dealt in wood, scrap metal, and did casual farm work. He would rather have a base in Bedfordshire than move back to Woodbridge each winter.

“I have tried to buy a house in this area but I have been unsuccessful, as I am unable to get a mortgage. I have no regular income,” he said.

He bought the land in 1970, and at the time there was a caravan on it, occupied by a Mr. Ward.

SCREENED

His caravan cost £1,450, and it has mains water, bathroom, basin and flush toilet, it is not connected to the mains. There was also an outside toilet, and a soakaway dealt with surface water.

A hedge at the front of the site screened it from the road, and there was a railway embankment at the rear. He did not bring to the site any scrap metal and it was not his intention to do so.

Mr. A. W. Dennis, 2 Blackbird Street, Potton, county councillor for Potton, said the nearest approved caravan site was at Henlow. There was one at Stratton Park, Biggleswade, but that had numerous restrictions, and the county council been unsuccessful in attempts to get people on to this site.

The land on which the caravans stand was used as a rubbish dump until Mr. Smith took it, and his use of the land represented an improvement.

He owned the land before Mr. Smith — it was handed down to him in his grandfather’s will. He went to considerable expense to clear the ground and then sold it.

Mr. Peter England, assistant area planning officer, said the county council’s policy for Potton was for rounding off and infilling only within the existing limits. Mr. Smith’s land was outside what was regarded as the present and reasonable future development limits.

Any development outside this limit would have to be in the essential interests of agricultural management, and this had not been shown.

Residential caravans should be located on approved sites, on which suitable facilities were available.

Answering Mr. Timothy Sills, who represented Mr. Smith, Mr. England said this was not a “down” on caravans. The position would have been the same if Mr. Smith had applied to build a house on the site.

Joe is quoted here as saying that he and Phoebe had lived at Woodbridge for 28 years, and from this we can deduce that they had moved there in around 1943.

Peter Kennedy was given Phoebe and Joe’s details by various of her Scamp relations in Kent. He first visited them in 1954:

May 26th Wednesday – May 28th Friday: To Woodbridge Area. To Melton

Called on Smith’s (gypsies) – name given by Scamp’s in Kent — at first told they had moved! Eventually discovered that Joe Smith would be back later but was out scrap-metal dealing.

[…]

Spent evening with Joe Smith and wife (Mrs Smith is sister of Mrs Smith we recorded at Rainham and of Mrs Stanley alias Mrs Bird). Arranged recording evening Sunday. Joe Smith plays reels, hornpipes etc. on the fiddle — our first gipsy fiddler.6

The recording session planned at that time appears not to have taken place, and he was unsuccessful once again in 1955:

JUNE 15th. Left London and collected caravan at Woodbridge. Were not able to record Smiths. (gypsy singer and fiddler) as they were away for a few days 7

Kennedy finally managed to record Phoebe’s singing on Sunday 9th July 1956, although “Joe her husband had unfortunately hurt his hand in the meantime and was unable to play step-dance tunes on fiddle”.8 Joe did contribute to the conversation, however, and can be heard talking on Kennedy’s Folktracks release I am a Romany, (Folktrax FTX100, 1975). Kennedy later wrote

Although Phoebe & Joe were living in a bungalow with hop-plants in the garden, they still had their wagons there, alongside their scrap-metal business, and most of the chat and singing was around the campfire.9

Kennedy returned to make further recordings in 1962, and it was presumably on this occasion that he finally managed to record Joe playing the fiddle. On one of these visits he also recorded their eldest son Joe singing ‘The Riddle Song’ (Roud 330), and playing harmonica for Phoebe to dance to.

Songs

  • Lavender (Roud 854)
  • Oxford City (Roud 218)
  • The Squire and the Gypsy (Roud 229)

  1. This, and subsequent direct quotations are from the cassette I am a Romany, Folktrax FTX100 (1975) ↩︎
  2. Israel (Nick) Smith, Obituary, The Grundisburgh and District News, Summer 2017, https://www.grundisburghnews.org.uk/Obituaries/IsraelSmith.pdf ↩︎
  3. Suffolk Chronicle, 23 May 1952 ↩︎
  4. Frank Purslow, notes to Once I Had a True Love, Topic TSDL193 (1970) ↩︎
  5. Mike Yates, notes to The Yellow Handkerchief, Veteran VT136CD (2001) ↩︎
  6. Peter Kennedy, report to Marie Slocombe headed Recording Trip: The Border Country: June-July 1954https://www.peterkennedyarchive.org/1954-2/northumberland-1954/  ↩︎
  7. Peter Kennedy, report to Marie Slocombe headed Report: 1955 Scottish trip including Orkney Islandshttps://www.peterkennedyarchive.org/1955-2/orkneys-1955/ ↩︎
  8. Peter Kennedy, Report by Peter Kennedy on collecting trip to East Anglia, July 1956, https://www.peterkennedyarchive.org/1956-2/east-anglia-1956/ ↩︎
  9. Notes to I am a Romany, Folktracks FTX100 (1975), https://folktrax-archive.org/menus/cassprogs/100smith.htm ↩︎

Bill Scamp

William Scamp 1851–1931

Bill Scamp was the father of the singers Phoebe Smith and Charlie Scamp, and he was the source of some of the songs in Phoebe’s repertoire, including ‘Captain Thunderbolt’.

He was born – according to the information at findagrave.com – at Selling on 18th December 1851. He was the son of Riley Scamp and Sarah, née Lee. The 1861 census found the family living “In Tents, Broom Street, Graveney, Faversham”. Riley was listed as “Vagrant”. With him were three sisters and five brothers, their ages ranging from one to seventeen. Both William and his parents have proved elusive when searching the 1871 census, but in 1881 Riley and Sarah were in a “Gipseys Tent” at South Wall, Deal, while William was recorded at “New England under a Tent, Mersham”. His occupation was given as “Cutter & brazier” and he had with him two daughters and two sons, aged between 1 and 6: Clara Ann, Oliver, Betsy and George.

The Findagrave website records that in 1873 he married Louisa Lee, the daughter of Henry Lee and Mary Riley. She was born at Greenhithe on 10th May 1850, and bore William no fewer than sixteen children between 1870 and 1890 (this discrepancy between the birth of their first child and the date of their marriage rather flies in the face of the normal assertions – made for instance by Jasper Smith – that once a man and woman lay together they were considered married in the eyes of the Romany community). Sadly, one week after giving birth to her final child in 1892, she was admitted to Cane Hill Asylum, Coulsdon, Surrey. She died there on 26th Feb 1892, aged just 41, and was buried in the hospital cemetery.1

A couple of years after Louisa’s death Bill found himself in court and, subsequently, in prison. The Sussex Daily News, 26th September 1894, reported on his initial court hearing as follows:

REMARKABLE CHARGES OF THEFT.— William Scamp Mathews, a gipsy, was charged with stealing a brown mare, valued £12, at Crowborough, in October, 1893, the animal being the property of Frank Tompsett. Prosecutor said he turned the mare out in a field on October 12th, 1893, about 150 yards from his house, and fastened the gate. The next morning the mare was missing. On October 18th prosecutor and P.C. Allchorn went to New Cross, and found the mare in the yard of a person named Price. Witness did not know the prisoner. James Botton, of New Cross, deposed that he hired some stabling of Mr. Price. Prisoner, in October last year, drove up with the horse and wanted to sell it. Witness purchased the horse, cart, and harness for £6, and prisoner gave him a receipt for the money. Witness suspected subsequently that the horse, etc., had been stolen, and asked for his money back from Mathews. The latter said he had only £5 left, but would borrow the other and let him have it. Witness, however, saw no more of the man or the money. Witness gave up the horse and cart to Tomsett when the latter called with the police at New Cross. Prisoner here asked the Bench to make things light for him, as he had a lot of children, who were without a mother. He would not admit, however, that he had intended to steal the horse and cart. John Price, of Hale-street, Deptford, deposed that he let stables for hire. He remembered seeing a man drive up to his yard in October last year, and offer to sell a horse, cart, and harness, but witness did not purchase them. Witness had his suspicions, and informed the police of the matter. Witness had given the horse at his yard some good Deptford oats and beans, something better than Crowborough toppings (laughter). P.C. Allchorn deposed to finding the horse and cart at New Cross, and said he received Mathews on Monday week from the police at Tonbridge. Prisoner said he did not know where Crowborough was, but afterwards stated that he had been at Crowborough 14 years ago. Witness, however, had seen prisoner at Crowborough many times. Mathews was committed for trial at next Sussex Quarter Sessions.—He was next charged with stealing a light cart, valued at £12, from Thomas Smith, farmer, of Crowborough, on October, 1893. Prosecutor said he missed the cart from his yard at Crowborough, and had since identified it as his property. The previous witness Tompsett gave evidence as to finding the cart at New Cross, and P.C. Allchorn corroborated. Mathews was committed toc trial on this charge also.—Prisoner was further charged with stealing harness, valued at £2, from Job Smith. Job Smith, a dealer, said the harness was brass-mounted, and had been stolen from under a van at Crowborough on October 13th, 1893. The harness stolen was worth £2, and he identified it as his property. Prisoner was also committed for trial on this charge.

Essentially the same facts were rehearsed at the full trial, as reported in the Surrey Mirror, 20th October 1894

STEALING A CART : ROTHERFIELD

William Scamp, alias Mathew, 42, labourer, was indicted for feloniously stealing a mare, the property of Frank Tomsett, at Rotherfield, on October 12th, 1893; also for stealing on October 12th, 1893, a set of harness, the property of Job Smith; for stealing on October 18th, 1893, a cart, the property of Henry Smith.—Mr. W. W. Grantham prosecuted.—The charge of stealing the cart was first taken, and Mr. Henry Smith deposed to missing the vehicle on the day in question. He afterwards recovered it from the police.—A witness, named Botten, deposed to buying a cart from the prisoner in October 1893. He subsequently found something was wrong, and handed the cart over to the police.—P.C. Hawthorne said he received information about the matter about twelve months ago. About a month ago he saw prisoner at Crowborough, and arrested him.—Prisoner was found guilty, and a previous conviction was proved by a warder of the Canterbury prison.—The other charges were not proceeded with.—Prisoner asked for leniency on the ground that he had a large family, and no mother to look after them.— Sentenced to six months’ hard labour.

The previous conviction alluded to might have been for assault (Kentish Gazette, 12th July 1892), or being drunk and disorderly (Kentish Gazette, 20th May 1893). But, unusually, in neither case does the newspaper report mention that the defendant was a Gypsy; and, besides, there was at least one other man by the name of William Scamp living in Canterbury around this time.

In pleading for leniency with regard to the charges of theft, Bill sates that “he had a large family, and no mother to look after them”. Now, clearly, the children by his first wife Louisa had lost their mother. However later census data suggests that Bill had quickly remarried following Louisa’s death. His second wife was Ann Jones, who had been born at Forest Row, in Sussex, and their first child, Sydney, was born at Bexhill, Sussex, in March 1893. The 1901 census found the family residing at Stowting Lane, Stowting. The children with them at this time are listed below.

First nameRelationship to HeadAge
GeorgeSon21
SaulDaughter16
ClementineDaughter14
WilliamSon13
FloryDaughter11
AbseyDaughter9
SidneySon7
RileyDaughter5
SamSon2
PollyDaughter1

Presumably Absey was the final child born to Louisa, Sidney the first born to Ann.

Bill’s occupation in this census was given as “Hawker & peg maker”. His 21-year-old son George was down as “Peg maker”. A marginal note made by the enumerator states “All these people are living in tents. Gipseys alias Pikeys”.

By the time their daughter Phoebe was born in 1913 her parents had partially settled, although they still travelled around Kent and Essex for seasonal agricultural work. Phoebe was born in Tanner Street, Faversham. She told Peter Kennedy that when she was about four years old they went to live in Herne Bay, then to Ramsgate, when she was about ten, and later to Ickham. In 1921, the census enumerators found the family at Mystole Encampment, near Chilham. The children living with Bill and Ann at that time were listed as Sydney, Nigger, Joe, Louisa, Charlie, Edward, Henry, with seven-year-old Phoebe being the youngest. They were at that time going by the name of Matthews.2 The birth places listed for the children are evidence of the family’s peripatetic lifestyle: Bexhill, Hunton, Tenterden, Chilham and Faversham.

Bill Scamp died aged 79 at Minster-in-Thanet, on 22nd May 1931. He was buried in the cemetery at Minster-in-Thanet.3


  1. Louisa Lee Scamp, Find a Grave, https://www.findagrave.com/memorial/242771238/louisa-scamp ↩︎
  2. 20th century records generally have the surname as Matthews with two Ts, while those from the 19th century appear to spell the name Mathews with one T. Since the family themselves were almost certainly illiterate, this can be put down to the preferences of census enumerator and others when transcribing the name. ↩︎
  3. William Scamp, Find a Grave, https://www.findagrave.com/memorial/244201038/william-scamp ↩︎

Ann Scamp

Ann Scamp, née Jones, 1873–1940

Ann was the second wife of William Scamp, and the mother of the singers Phoebe Smith and Charlie Scamp. She was the source of several of the songs in Phoebe Smith’s repertoire, including ‘Young Ellender’ and ‘Higher Germany’.

In 1921, when the family were camping at Mystole near Chilham, they were listed in the census under their alternative surname of Matthews. Ann was 53 years old, and her birth place was given as Forest Row (between East Grinsted and Crowborough), in Sussex. Her occupation was given as “Licence Hawker”, although asked by Peter Kennedy if her mother was a travelling person, Phoebe replied “Well, not exactly, really”. “Betwixt and between?” suggested Kennedy – “Yeah, my grandfather, was a bailiff on a farm”. Kennedy later noted that Phoebe’s mother was “Annie Jones, a wardrobe dealer from Crowborough, Sussex”.1

Ann and Bill must have married shortly after the death of his first wife Louisa in 1892, given that their first son, Sydney, was born in March 1893. Bill Scamp died in 1931. In September 1939 the widowed Ann, along with her son Sidney – both still using the Matthews surname – were recorded as being in a caravan at Brook Gardens, Sevenscore, Minster. She died on 3rd September 1940, aged 67 years, and was buried in All Saints Churchyard, Biddenden. Her gravestone includes the inscription “Dear Mum I will not forget you Phoebe”.2


  1. Notes to I am a Romany, Folktracks FTX100 (1975), https://folktrax-archive.org/menus/cassprogs/100smith.htm ↩︎
  2. Mary Ann Jones Matthews, Find a Grave, https://www.findagrave.com/memorial/244418813/mary_ann-matthews ↩︎

George Scamp

George Scamp, 1858– ?

When recorded by Peter Kennedy, after singing the song ‘Molly Varden’, Phoebe Smith said “My uncle used to sing that one”. The following conversation then ensued:

Peter Kennedy: Tell us about your uncle, then. His name was George?

Phoebe Smith: Well, his name was George Scamp. Yes. And he was really a great singer. He could sing any song, any style, you know, like a lady or a gentleman. He had a beautiful voice… voice of all… all types you know, all types of songs. He could really fit in and sing them lovely. And he yes, he used to sing that very well.

PK: He travelled the country, didn’t it?

PS: Yes he was a great traveller.

PK: And what part of the country did he used to…?

PS: Well, he used to travel all around England, you know, and of course, I mean, I was very young then, I don’t really know much about him. I used… come and see us, you know, he always used to make a fuss of me, pick me up and carry me in his arms and all that. But not really old enough then to know much about him, you see, ‘cause… I mean, I were the youngest one of the family, and of course they were all getting on [word indistinct] you see when I were growing up.

PK: Did he travel by himself or with another family or…?

PS: No, with his own family, just with his own family.

PK: In a waggon?

PS: Yes. Waggon, horse. Well, I mean, as the family grew up he had more you see. Two, two or three. Because he had a nice family and he had another son, he had a son named Henry, and oh, he were a marvellous singer. He was really a beautiful singer.1

George Scamp was a younger brother of Phoebe’s father, William, and he was in his mid-fifties when Phoebe was born. He was baptised on 23rd February 1858 at the church of Saints Peter & Paul, Charing. He was the son of Riley Scamp and Sarah, née Lee. The family’s residence at the time was given as “Camped in the Road in Westwell”. Three years later, at the time of the 1861 census, George was with his parents, five brothers and three sisters, “In Tents, Broom Street, Graveney, Faversham”.

It was probably the same George Scamp who, aged thirteen in 1871, the census enumerators found in one of several gypsy tents at Borstal Heath, Plumstead, Woolwich. His birth place was given as “Kent, Cherry” but that could easily have been a mishearing of Charing. The Head of the household was recorded as Salamander Scamp, a 24 year old woman, whose name does not appear in any other official records. With her were five brothers: Riely, Sampson, Cloranda, George and Sidney; and two sisters: Mary and Marrille. Their ages ranged from five to twenty four, and all were listed as “Hawker of bee hives etc.”

Ten years later he was back with his parents in East Kent, camped at South Wall, Deal. His father, Riley, was listed as “Grinder (artiz)”. George’s older brother Sampson was listed as having “No fixed occupation”, and this designation was probably intended to apply to the entries which followed his on the census – namely George, Mary, Marsala (presumably the “Marille” listed in the 1871 census) and Sidney.

He is next found in the 1921 census, at the age of 63 and 4 months, lodging in the house of Mrs Susan Harold Marsden, at Pine Hurst, Smeeth. His occupation was given as Labourer, with the note “Tramps from town to town Labourer”; “No fixed place” is given in the ‘Place of Work’ column. Boarding with him was a 61-year-old “General Dealer”, Gilderoy Scamp, who was, presumably, related in some way (incidentally, this same Gilderoy Scamp had been lodging with Mrs Marsden ten years earlier, when she was living in Cheriton).

George is shown in the 1921 census as being married – and we know from Phoebe Smith that he had a family, including a son named Henry – but, not unusually, no record of his marriage has been found. Likewise I have not positively identified his date of death; although, possibly, he was the George Scamp whose death was recorded at Romford in Essex in the second quarter of 1931.


  1. I am a Romany, Folktrax FTX100 (1975) ↩︎

Kent Trad update, May 2026

The Kent Trad website was launched in February 2025. At that point the focus was very much on singers whose songs had been noted down on paper (rather than recorded to tape); which in practice meant up to the early 1950s. The one real exception was that I’d included an article on Albert Beale, for the simple reason that it made no sense to exclude him, when I’d written articles on his father James and sister Alice, who had sung for Cecil Sharp in 1908 and 1913 respectively.

Since that time, I’ve added transcriptions of the half dozen songs which Peter Kennedy and Maud Karpeles recorded from Albert Beale in 1954. These were fairly simple to transcribe, but making transcriptions from sound recordings is a trickier and much lengthier process than transcribing songs noted down by earlier collectors such as Sharp and Francis Collinson (and also potentially quite subjective). So currently my focus is less on providing the musical notation of songs, and more on writing biographical articles of singers, from the 1950s onwards, of whom sound recordings were made, by collectors including Peter Kennedy, Ken Stubbs and Mike Yates. I’ve published articles on Charlie Bridger, who I was lucky enough to get to know in the 1980s, and Jack Goodban, from whom Mike Yates recorded a couple of songs in the 1970s. Jack Goodban had learned his songs from his father Tom. Building on research by George Frampton, I’ve been able to write short articles on some of Tom’s contemporaries who sang in rural pubs near Dover before the Second World War.

Many of the singers recorded in Kent in the second half of the twentieth century were travellers, and there are now articles on some of the more prominent of these singers. By far the longest article on the website covers the Romany Gypsy siblings Minty, Levy and Jasper Smith. Their life stories were very much intertwined, so they are all covered on the same web page. The length of this article is explained largely by the variety of sources available – not least a really informative interview with Jasper Smith made by John Brune in the mid-1960s. Also, the Smiths crop up very frequently in local newspaper reports. Most of those reports cover their appearances in court, and I’ve included lengthy extracts from many of them. Some readers will find this unnecessarily repetitious, but I found that reading through these accounts of travellers being summonsed over and over again for camping on the highway and/or causing an obstruction (Levy seems to have been up in court on an almost monthly basis in 1967) really brought home to me the extent to which they were targeted by the authorities – at a time when, increasingly, they had nowhere else to go.

Finally, you’ll find articles on the wonderful Gypsy singer Phoebe Smith, and her brother Charlie Scamp. Phoebe was recorded at her post-war home in Suffolk, but she had been born in Faversham, and belonged to the very large Scamp family of travellers, based predominantly in East Kent. Although we have no recordings of their songs, I’ve also provided information on other members of Phoebe and Charlie’s family – the uncles from whom Phoebe learned songs, and others of her own generation who are known to have been singers.

Needless to say, if you spot any errors, or can provide me with additional information about any of the singers covered, please do get in touch via info@kenttrad.org

Andy Turner
19th May 2026

Oliver Scamp

Referring to the song ‘The Jolly Herring’, Peter Kennedy wrote that “Phoebe Smith learned this song from her uncle, Oliver Scamp, a travelling horse-dealer, when they had their wagons in the Ramsgate district of Kent”1. Mike Yates, writing in 1998, noted that Phoebe’s uncle, Oliver Scamp, a Kentish horse-dealer, was an important source of songs. He also quoted Kennedy saying that Phoebe’s song ‘The Oxford Girl’ came from her uncle Oliver, “a Ramsgate tinker who could make a kettle out of a penny”.2

Maud Karpeles, meanwhile, refers to the Oliver Scamp whom she and Peter Kennedy met in January 1954 as Charlie Scamp’s (and therefore also Phoebe Smith’s) brother. Kennedy wrote that Oliver had a bad cold “but we would like to return and record himself, his son, Oliver and his little daughter Sylvia”.3

This suggests that there were three separate singers named Oliver Scamp (although, sadly, we have recordings of none of them). There were in fact several people in East Kent with this name in the first half of the twentieth century. It is not possible, for example, to identify which Oliver Scamp it was who appeared in court in December 1915, along with a Sidney and James Scamp, charged with poaching rabbits near Doddington – and who, when apprehended by a keeper, “told him his name was Cauliflower Joe, Sittingbourne”.4 But it is possible to identify Charlie and Phoebe’s uncle Oliver, their much older half-brother Oliver – both of whom were probably the source of some of Phoebe’s songs – and, tentatively, to suggest the identities of the two men who Karpeles and Kennedy met in 1954.

Oliver Scamp, c1844–1925

The uncle of Charlie and Phoebe Scamp. His parents were Riley Scamp and Sarah, née Lee who, at the time of the 1861 census, were recorded as living “In Tents, Broom Street, Graveney, Faversham”. With them were six sons (Oliver, Riley, William, Samson, Clarence and George) and three daughters (Charlotte, Cinamentta and Mary). All of the family had been born in Kent. For Riley – occupation “Vagrant” – the census enumerator appears to have written “Kent NK The Parishes”, presumably meaning “parish not known”. For the other members of the family the place of birth is given as “Kent – do” (ditto).

Oliver’s age in 1861 appears to be recorded as 19 (or possibly 17), suggesting he was born circa 1841-1844. An Oliver Scamp was baptised on 22nd October 1843 at Wingham, St Mary the Virgin. His mother was Sarah, which tallies with this being the same person; although the name of his father, a “travelling tinker”, was given as Oliver which, clearly, does not.

It is highly probable that it was this Oliver and his father who were the subject of a court report in the Thanet Advertiser, 24th October 1868:

TWO SCAMPS IN TROUBLE–Two men named respectively Riley Scamp and Oliver Scamp were charged by Jas. Taddy Friend, Esq., with wilfully and maliciously doing injury to a “live” fence to the value of 6d. On the 18th instant.–They both pleaded guilty.—P.S.  Hoad, K.C.C., stated that on Sunday evening he was coming past Northdown, when he saw the two defendants cutting Mr. Friend’s hedge. They had cut enough to make a faggot. He told them he must detain them until Mr. Friend returned from church, and subsequently took them to the police-station.–Mr. Friend informed the Bench that he did not wish to press the case hard against the men, and asked that they might be leniently dealt with. He merely preferred the charge to make an example.—The Bench taking this into consideration fined defendants 1s. each, 3d. each for the damage due, and 6s. 6d. the costs each.–The money was immediately paid.

The same Oliver Scamp (occupation “Gypsy”) could be found in 1871 living with his wife Letitia and three year old son Riley, “Near Rainham Mark Top of Soapers Lane”. In 1881 Oliver, now a widower, with son Riley and an 8 year old daughter Sabrina, were at “South Wall Gipseys Tent, Deal, Eastry”.

By 1901 he had remarried with a woman called Mary, 22 years his junior. They were “Living in Tent Manstone Fields, Manstone, St Lawrence Extra, Thanet”. His occupation was “Working cutler”. Mary’s place of birth was given as Deal, Kent, but later censuses, which have her name as Mary Jane, give her birthplace as the non-existent “Hengley”, Staffordshire (1911), or more probably Hanley, Staffordshire (1921). It seems that she was Mary Jane Casserley (although there is no record of anyone by that name having been born in Hanley) and she married “Henry Oliver Scamp” on 26th December 1898 at the Congregational Church in Ramsgate. There is no mention of a Henry Oliver Scamp in Ramsgate in other official records, so it seems this must have been the man usually referred to as Oliver Scamp.

It may well have been the same Oliver Scamp, “a swarthy-skinned son of the Romany” who was fined 12 shillings at Ramsgate Police Court in July 1899 for being drunk and disorderly in the High Street. “He said it was rheumatism, not drink, and that he would do the seven days. His wife, however, paid the fine and Oliver was allowed to go”.5

An early indication that theirs was not a happy marriage can be found in a brief notice in the ‘Miscellaneous’ section of the Thanet Advertiser, 30th December 1899, which reads simply “MARY JANE SCAMP – Please write or come home to Ramsgate”. Clearly Mary Jane was back with her husband at the time of the 1901 census, and ten years later Oliver and Mary Jane – no longer living in a tent it would seem – were at 4 Bolton Street, Ramsgate. He was 68 years old. His birth place was shown as Wingham, and his occupation was given as “Cuttler”. Living with him were six nephews and three nieces, including two other Oliver Scamps – a thirteen-year-old, and a 35-year-old “dealer in horses”, who was almost certainly the son of Oliver’s brother Bill.

The Thanet Advertiser for 18th November 1916 contained the sensational news that Mary Jane had been arrested and charged with bigamy:

BIGAMY CHARGE.

RAMSGATE WOMAN & SOLDIER

A charge of bigamy was preferred at the Ramsgate police court yesterday (Friday), against Mary Jane Scamp, of High-street, St. Lawrence.

The defendant was charged with marrying and taking to husband Henry William Taylor, on November 20th, 1915, her former husband, Henry Oliver Scamp. to whom she was previously married on December 26, 1898, being then alive.

The defendant, a middle-aged woman respectably dressed in black, was arrested on Thursday.

Taylor, a soldier with whom she was alleged to have gone through the form of marriage last November, was not present and the Chief Constable said he intended after evidence of arrest had been given, to apply for a remand.

Detective-Sergt. Duff, who received certain on September 28th, said enquiries were instituted, as a result of which on Thursday he received a warrant for the arrest of the defendant. At about 1.10 p.m. he saw her at 26, High, street, St. Lawrence, and told her who he was, adding, “Are you Mary Jane Scamp?” She replied, “Yes.” He then asked what was her former name, and she replied, “Casserly.” “Was your father a scaffolder?” he next enquired, and the reply was in the affirmative. He then said, “It is alleged you married a man named Henry William Taylor.” She said “Yes.” Witness replied, “What do you mean by ‘Yes’,” whereupon defendant said, “That I am listening to you.” Witness continued, “You married him at Romford, on November 20th, 1915, and I have a warrant to take you to the police station on that charge.” Defendant said, “Yes, I will own up to it. It is true.” While she was getting her hat and coat defendant said, “It was done in ignorance. I had been living with him and we heard my husband was dead. Have you fetched Taylor yet?” Witness replied, “No—What letters or papers have you about you now?” She replied, “Only my marriage lines with Taylor,” and witness took possession of the certificate.

When charged at the police station, defendant said “We heard he was dead. I was living with the man. We got married.”

Witness also produced a certificate of the marriage between Mary Jane Casserly and Henry Oliver Scamp, at Ramsgate Congregational Church, on December 26, 1898

Upon this evidence, defendant was remanded until Monday.

Further details of the case appeared in the following week’s newspaper, dated 25th November:

STORY OF TWO MARRIAGES.

RAMSGATE WOMAN CONFRONTED WHEN CHERRY-PICKING.

The two men with whom Mrs. Mary Jane Scamp, of High-street, St. Lawrence, was alleged to have gone through the marriage ceremony, gave evidence at the Ramsgate police court on Monday.

Mrs. Scamp was charged on remand with bigamously marrying a soldier, and when arrested was stated to have said to Detective-Sergt. Duff, “It was done in ignorance. I had been living with him and we heard my husband was dead, so we got married.”

Henry William Taylor, private in the Royal Sussex Regiment, who described himself as a single man, now stated that he first met the accused about three years ago at Sittingbourne. He became on friendly terms with her, and they lived together at Sittingbourne, Gravesend and Romford. During that time she left him twice but did not tell him where she bad been. On 20th November, 1915, they went through the form of marriage at Romford Registry Office. Accused then described herself as a widow, aged forty years. They afterwards lived at 94, London Road, Romford, and then at 8, Crooked-lane, Graveseend, until 14th June last, when he joined the Army.

Henry Oliver Scamp, cutler, living at 26, St. Lawrence, said he married the accused at the Ebenezer Chapel, Ramsgate, on Boxing Day, 1899. Her maiden name was Casserley.

Shown a marriage certificate, witness said he could not read it as he had never been to school in his life.

PICKING CHERRIES TOGETHER.

Continuing, witness said his wife frequently left him. 0n 27th February, 1915, a letter containing a postal order arrived and his wife left him. In the summer of 1915 he saw her picking cherries near Sittingbourne with Taylor. She agreed to come home with him, but while he was at the station, inquiring the time of the train, she disappeared. Taylor knew she was his wife as he had seen the marriage lines at Chilton. In August this year be went to Gravesend and again saw his wife. They went and had a drink, and she came back to Ramsgate with him. She denied having been married again. Letters kept arriving for her, and she left home once more in September. Later he went to Faversham, where he found his wife and brought her home. He questioned her again, and eventually she admitted having gone through a second marriage.

Formally charged, defendant only said : “We heard my first husband was dead—that was the reason we got married. Otherwise I was perfectly happy as I was—happier than I have ever been.”

Committed to take her trial at Maidstone Assizes during the week end, Mrs. Scamp turned to Taylor and said sadly, “Goodbye, Harry, ta-ta ! “

When asked if he would agree to go to Maidstone to give evidence against his wife, Mr. Scamp remarked drily, “Yee, I’ll go anywhere—up to Heaven.”

Defendant left the court with a final emphatic “Good-bye” to the soldier.

A separate article in the same issue reported that she had been sentenced to three months’ imprisonment:

At the Kent Assizes, held at Maidstone on Thursday, Mrs. Mary Jane Scamp, of 26, High-street, St. Lawrence, Ramsgate, was sentenced to three months’ imprisonment for bigamously marrying a soldier.

[…]

The Judge, in sentencing the woman, said he could find no redeeming feature about the case. Defendant had been living a bad life, although her husband bad tried to do his best for her.

When reported in the Kentish Gazette, 2nd December 1916, it emerged that Mary Jane had pleaded guilty and had been sentenced to three months’ hard labour.

Despite all of this, the 1921 the census showed that Oliver and Mary Jane Scamp were living together at 26 Rodney Street, Ramsgate. At 77 years old he was still working as a cutler. Mary Jane was employed as a charwoman. Oliver died in Thanet at the age of 81, in the first quarter of 1925.

Phoebe Scamp was barely 8 years old when this this Oliver Scamp died. It is by no means impossible that she would have learned some songs from him – there is a well-known recording of a six-year-old Gypsy girl, Sheila Smith, recorded by Peter Kennedy in Sussex in 1952.6 And this uncle, who worked as a cutler, could surely have been the “Ramsgate tinker who could make a kettle out of a penny”. However there was another Oliver Scamp, who Phoebe might well have called her uncle, who was a “travelling horse-dealer” from Ramsgate, and from whom she might therefore have learned some of her repertoire.

Oliver Scamp, 1875–1934

The son of Riley Scamp and his first wife Louisa, née Lee, who bore him sixteen children before her death at Cane Hill Asylum, Coulsdon, Surrey in 18927. He was thus a half-brother to Phoebe and Charlie, and nephew of the Oliver Scamp described above. He was born at Hoath, about four miles South of Herne Bay, on 25th May 18758, and his birth was registered in the Blean district. At the time of the 1911 census he was living with his uncle Oliver at 4 Bolton Street, Ramsgate. He was 35 years old, and his occupation was given as “Dealer in horses”.

This Oliver Scamp has proved elusive in other census records. His death was recorded in the Medway district in the first quarter of 1934, at the age of 58, and he was buried at the Woodland Road Cemetery, Gillingham on 23rd January 1934. His burial record states “Died at St Bartholomew’s Hospital, Rochester. Removed from/Address St Augustine”.

Given the four decade difference in their ages, Phoebe Smith might well have regarded her half-brother Oliver as an uncle9. The notes to the song ‘The Jolly Herring’ on the Caedmon LP The Folk Songs of Britain Volume X: Animal Songs (Caedmon Records TC1225, 1961) have this to say about the source of the song:

Phoebe Smith learned this song from her uncle, Oliver Scamp, a travelling horse-dealer, when they had their wagons in the Ramsgate district of Kent. Phoebe described her uncle:

“A big “upstruck” built man, lovely looking, really one of the finest looking men in the world. The Scamp family were all horse-dealers and slaughtermen, all well-to-do people, nothing cheap and poor. Like yourself, sir, they like to go places, meet the people and have a good time. I think everyone ought to go about more. When people see you live in a caravan (trailer) they say: O they’re gipsies, but perhaps you’re not such a gipsy as what they are!”

Given that he died in 1934, this half-brother of Phoebe and Charlie Scamp was clearly not the Oliver Scamp that Maud Karpeles and Peter Kennedy met in 1954, and whom Karpeles described as Charlie Scamp’s brother.       

Oliver Scamp, 1905–1977

Louisa Scamp, 1905–?

Oliver Scamp, 1925–2003

When Maud Karpeles and Peter Kennedy came on their song collecting trip to Kent in January 1954, they visited a Mrs Bird at Bettenham, near Cranbrook:

She gave us the names of several members of her family, including her brothers, Charles Scamp at Chartham Hatch, near Canterbury, and Oliver Scamp, between Rochester and Sittingbourne, both of whom have a big repertory of songs which they learned from their parents. The Scamps are a big Romany clan scattered all over Kent and most of them seem well-to-do.10

Mrs Bird was almost certainly Phoebe and Charlie Scamp’s older sister Mary, known as Polly. Although she sang a few songs for Karpeles and Kennedy, she was suffering from laryngitis and was unable to hold a tune. The collectors then visited Charlie Scamp and recorded several songs from him. On the final day of their trip, Monday 18th January, they went

To the “Sun-in-the-Wood” at Lower Halstow, where we recorded Oliver Scamp, but he had also had a bad cold and was not up to it, but we would like to return and record himself, his son, Oliver and his little daughter Sylvia.11

The evidence is circumstantial, but a strong case can be made that these two men called Oliver Scamp, father and son, were the same people as were recorded in the September 1939 Register as hop pickers working at Frogs Hall Farm, Tenterden.

First nameLast nameBirth dateSexOccupationMarital status
OliverScamp25 Dec 1902MGeneral Dealer Caravan DwellerMarried
Louisa (Louie)Scamp17 Sep 1907FMarried
OliverScamp01 Aug 1925MSingle

The 1939 Register did not specify the relationships between people recorded, but it is probably safe to assume that Louisa was married to the older Oliver, and the fifteen-year-old Oliver was their son.

Mary Bird, née Scamp, was hop-picking at Frogs Hall Farm in September 1939, and given that the Scamp family sometimes found it convenient to use the surname Matthews when dealing with officialdom, we can be fairly sure that the Henry and Ted Matthews also working on the farm were her brothers, while Sam Matthews was probably a relation too, possibly one of her older half-brothers.

Looking at the birth registration records for the fifteen-year-old Oliver Scamp, we can see that when registered in the Milton district, in the third quarter of 1925, his mother’s maiden name was given as Matthews. This leads to the possibility that his mother Louisa was Charlie and Phoebe Scamp’s older sister. In the 1921 census this branch of the Scamp family was recorded under the surname Matthews. They were camped at Mystole near Chilham – William and Ann Mathews, with six sons and two daughters, Louisa and Phoebe. Louisa was fourteen at the time, which fits with a birth date of September 1907, as recorded in 1939.

Peter Kennedy very nearly provides evidence to support this theory. Writing about the first time he went to visit Joe and Phoebe Smith in Suffolk, in May 1954, Kennedy wrote:

Spent evening with Joe Smith and wife (Mrs Smith is sister of Mrs Smith we recorded at Rainham and of Mrs Stanley alias Mrs Bird).12

“Mrs Stanley alias Mrs Bird” was the sister Kennedy and Maud Karpeles had met earlier in the year near Sissinghurst. There’s no record of their having met a Mrs Smith in Kent. Surely “Smith” here is a typing error, and he meant to write “Scamp” – referring to Mrs Louisa Scamp, the wife of the Oliver Scamp he had met at Lower Halstow (about three miles from Rainham).

If this is correct, then Kennedy’s brief note is the only mention of Louisa having been recorded, or indeed, of having been a singer. If recordings were made of her them sadly, they seem to have disappeared.

And if it is correct that Louisa Scamp was Phoebe Smith’s sister, then her husband Oliver was not Charlie Scamp’s brother, as Maud Karpeles wrote, but his brother-in-law. No doubt Louisa and Oliver were related in some way, but from different branches of the very extensive Scamp family.

Louisa’s entry in the 1939 Register records her date of birth as 17th September 1907, although this appears to be erroneous – she was baptised at St Mary the Virgin, Rolvenden on 30th September 1905, and her birth date was given as 15th of that month.

In 1939, Oliver’s date of birth was given as 25th December 1902. When his death was registered in 1977, his birth date was recorded Christmas Day 1905, not 1902, but it’s possible that neither of these dates was correct: it seems probable that he was the Oliver Scamp baptised on 29th January 1905 at St Martin of Tours, Guston, near Dover, where a marginal note says “Born CHRs Day 1904”. This Oliver was the son of George and Isabella Scamp. His father’s “Quality, Trade or Profession” was given as “Gipsy”, and their abode was “G. Ellen’s field”. In 1901 the census enumerator had found them camped near Wickhambreux; George’s occupation was given as “Agricultural labourer & peg maker”.

Peter Kennedy’s notes specifically state that, despite the fact that the singer had a bad cold, he had recorded Oliver Scamp singing at the Sun-in-the-Wood pub at Lower Halstow in January 1954. No such recording seems to have survived (or, at least, no such recording has yet been indexed). But evidence that a recording was made comes from a short article in the East Kent Gazette, 16th April 1954:

Local broadcast

When the regular Sunday morning programme of English folk songs, “When I roved out,” returns to the B.B.C. in the autumn, the voice of veteran farm worker Mr. Oliver Scamp will be heard singing some of the Kentish Romany songs. He works for Mr. Archibald Bishenden at Breach Lane, Newington. Recordings were made recently at the Sun-in-the-Wood public house, Lower Halstow, when members of Mr. Scamp’s family also sang. Produced by Mr. Harold Rogers, “When I roved out” has proved a popular morning feature dealing with the folk songs of England.

In the best traditions of local newspaper reporting, the name of the popular radio programme is incorrectly given as “When I roved out” – it was actually “As I roved out”, the first series of which had been broadcast on Sunday mornings on the BBC Light Programme between 27th September 1953 and 28th March 1954. It may well have been expected that the programme would return that Autumn, although the next series did not in fact begin until 3rd April 1955 – and it is not clear if Oliver Scamp ever featured on the programme. Listings in the Radio Times show that the episode broadcast on Sunday 8th May 1955 featured songs from Kent and Sussex, while the following week the theme was ‘The Travelling People’. So it is possible that he was included in that broadcast – the Radio Times sometimes listed singers featured in the programme, but that was the exception rather than the rule.

Other local newspaper reports show that the younger Oliver, like his father, did farmwork, and lived at Breach Lane, Newington (the address is sometimes given as Breach Lane, Upchurch). These reports also suggest that he was frequently in trouble with the law.

In November 1953, with another man, he was gaoled for three months after having placed boulders on a busy main road (what would now be referred to as the A2). The committal hearings were reported thus in the Sheerness Times Guardian, 6th November 1953:

Policeman heard “terrific” noise

CAR & VAN HIT BOULDERS PLACED IN MIDDLE OF ROAD

—PROSECUTION ALLEGE

Two men charged with causing wilful damage

ALLEGATIONS that two men placed two large boulders in the middle of the main London-Canterbury Road during the night and that a car and a van crashed into them, were made in a case heard at Sheerness Magistrates’ Court on Monday.

Walter Eastwood, aged 32, of Ash Tree Lane, Chatham, and Oliver Scamp, aged 28, living in a caravan in Breach Lane, Newington, were charged with being concerned together in causing wilful damage to a car belonging to James Maxwell, of Nethercourt Gardens, Ramsgate, to the extent of £20 and to a van belonging to Sydney Edward Belson, of High Street, Chatham, to the extent of £35.

The boulders, each weighing more than half a hundredweight, were produced in Court.

Police Inspector J. Kierans, prosecuting, said that Scamp and Eastwood were arrested in the early hours of Sunday morning by Police Constable K. C. Ambrose of the traffic division, Rochester.

In evidence, Police Con. Ambrose said that he was on motor patrol duty with another officer at London Road, Upchurch, at 12.30 a.m. on Sunday.

“CROUCHING IN UNDERGROWTH”

A few yards past the Rest Tea Rooms he saw two men in the centre of the road and he saw them run off the road and crouch down in the undergrowth.

Witness got out of the car and approached t lien. They ran away but he caught Scamp.

“l then heard a terrific crashing noise and saw that a car had collided with something in the road,” said Police Con. Ambrose, “came along, hit an object and zig-zagged along the road.

Witness said that another police officer who was with him found the two large boulders in the middle of the road. Scamp was taken to Rainham Police Station and when told that he would be charged with damaging the car and the van by placing the boulders in the road, be made no reply.

Eastwood was apprehended by the police later while he was walking along the main road.

ALLEGED STATEMENTS

Both accused were taken to Sittingbourne Police Station and were charged.

Eastwood was alleged to have said “I was daft to do it,” while Scamp replied, “You prove it.”

The men were remanded in custody to appear before Sittingbourne Magistrates on Monday next.

A week later on 13th November the newspaper was able to report that Scamp and Eastwood had both been sent to prison:

MEN PUT BOULDERS IN ROAD

Gaoled for malicious damage to car and van

TWO men who two large boulders weighing more than half a hundredweight in the middle of the road, into which a car and van crashed, were sent to prison for three months at Sittingbourne Magistrates’ Court on Monday.

They were: Walter Eastwood (32), of Ash Tree Lane, Chatham, and Oliver Scamp (28) of Breach Lane, Newington. They pleaded guilty to committing malicious damage to the car and the van.

Prosecuting, Mr. N. K. Cooper said that walking home from Chatham along the main London Road at Upchurch, the men tried to thumb a lift but the motorist not stop.

It was past midnight when they came upon a parked car and asked the driver if he would take them to Chatham. But the driver told them to “clear out.”

To get their own back on the motorists, Eastwood and Scamp then placed two large boulders, each weighing more than half a hundred-weight, in the middle of the road and within a few seconds a car and a van had crashed into them.

[…]

POLICE CHASE

Scamp was caught and it was while the officers were chasing the two men that the two vehicles came along the road and collided with the obstacles.

At that time the police were unaware of the boulders in the road.

The explanation seemed to be, Mr. Cooper went on, that Eastwood and Scamp had been drinking and, while making their way along the road, had been refused lifts by motorists.

Purely out of spite for the motorists who had refused to give them a lift, they had placed boulders in the road for the purpose of bringing these motorists to grief.

[…]

In a statement to the police Eastwood had said that they were on their way home to Chatham and tried to thumb a lift, but the cars just went by.

He asked the driver of a parked car for a lift, but the driver told him to ” . . . off.” He offered the driver money, but this was refused and as he walked along the road he kept thinking about the man in the car. He threw the boulders into the road, thinking it would teach the driver a lesson.

Scamp made a similar statement, in which he said that Eastwood threw the stones into the road, saying. “l will catch him.’ •

“MIGHT HAVE CAUSED LOSS OF LIFE”

Neither of the two men had anything to say in Court. Both had previous convictions.

Oliver was in trouble again three years later. The Sheerness Times Guardian, 29th June 1956, contained a somewhat melodramatic news item which began as follows:

Mother Pleads For Gipsy Scamp

Tears in her eyes, a Gipsy’s mother appealed to Sheerness Magistrates on Monday – “Can I have my son? Can I have my son?”

Before the Court was swarthy Oliver Scamp. Head bowed, he had heard the Chairman of the Magistrates, Ald. R. W. Rule, commit him for trial at the East Kent Quarter Sessions on a charge of breaking and entering a house in Upchurch and stealing a jar of face cream, a tin of humbugs and a tin of oranges, valued at 11s. 4d.

Hearing the Police were not opposed to bail, the Chairman granted the mother’s request saying, “You’ll see he appears in Court then.”

” On my honour, Sir,” she replied gratefully.

He was fined £15 for the offence, as reported in the Kentish Express, 31st August 1956:

After coming home from drinking with his mother and father one night, Oliver Scamp, 31, farm worker of Breach-lane, Newington, near Sittingbourne, gave them the slip and broke into “Dormalee,” Breach-lane, Newington, and stole property worth 11s. 4d. from Ellen A. Golding. At the East Kent Sessions at Canterbury, on Monday Scamp was fined £15. He had three convictions of a similar nature and one of malicious damage at Sittingbourne in 1953. He comes from a gypsy family. His mother, Mrs. L. Scamp, and his aunt, Mrs. M. Bird said that that night he had too much to drink and did not know what he was doing.

The East Kent Gazette for 31st August had a longer report on the case:

Only got drunk at week-ends

UPCHURCH MAN FINED FOR BUNGALOW THEFT

When a mother told the court at the East Kent Quarter Sessions at Canterbury, on Monday, that her son only got drunk at week-ends, the chairman (Mr. Tristran Beresford, Q.C.) asked why week-ends should be a special reason for his indulgence.

Before the court was Oliver Scamp (31), of Breach Lane, Upchurch, who pleaded guilty to breaking into a bungalow known as Dormalee, Breach Lane, Upchurch, during the night of 15th June and stealing goods to the value of 11s. 4d., the property of Miss Ellen A. Golding.

[…]

Had been drinking

He denied any knowledge of the offence but later admitted it, saying he had had a lot to drink. In a statement he said he had been to a public house on the night of 15th June and had been drinking. On the way home he left his parents, went to the bungalow, smashed a window and took the articles. He did not know why he did it.

Police-sergeant Stewart said Scamp had been before the courts four times for larceny, assault, malicious damage etc. He was one of a family of gipsy extraction and had very little education. Since 1951 the family had been at Breach Lane had he had been working as a farm labourer.

Scamp had nothing to say.

Mrs. Louisa Scamp, his mother, pleading for leniency, said her son was very drunk at the time, but usually he was a very son. She then said that it was at week-ends that he got drunk.

Miss [sic] Mary Bird, his aunt, said there was nothing wrong with her nephew until drink got the upper hand of him.

Mr. C. R. Trusler (probation officer) expressed the opinion that it was not a suitable case for probation, and Scamp was fined £15 with the alternative of three months’ imprisonment.

The protestations of his mother and aunt seem plausible – whilst not wishing to condone burglary, stealing face cream, humbugs and tinned fruit (total value around £12 in 2026 prices) is hardly the work of a serious house-breaker.

The naming of his mother as Louisa Scamp is surely proof that this is the same Oliver Scamp who was a fourteen-year-old hop-picker at Tenterden in September 1939; and the fact that Mary Bird was his aunt strongly supports the proposition that it was this Oliver Scamp, and his father, who Kennedy and Karpeles met in January 1954.

It was probably the same man who was fined 10 shillings by Sittingbourne magistrates in May 1957, having been stopped by a policeman for riding his bicycle without front or rear lights or a reflector – “Oliver Scamp, of no fixed address, admitted there had never been any lights on the cycle ever since he had owned it”.13  And he may have been the Oliver Scamp who had to pay the legal costs of a husband from Lower Halstow when cited as co-respondent in a divorce case the following year.14

The elder Oliver Scamp died in 1977, his death being recorded in the Sittingbourne district in the third quarter of that year. He is buried in Sittingbourne Cemetery. The death of his son Oliver was registered in the Canterbury district in the first quarter of 2003.

As for Oliver’s “little daughter Sylvia”, who presumably sang at least one song when Kennedy and Karpeles came calling in 1954, she would have been about twelve years old at the time – her birth was registered in the Chelmsford district in Essex, in the first quarter of 1942 (with her mother’s maiden name given as Matthews). She appears to have married in the Chatham area in 1971 and died at the age of 73 in 2015. She was buried – as Sylvia Panesar – in the Woodlands Road Cemetery, Gillingham, on 6th February 2015.


  1. Peter Kennedy, notes to The Folk Songs of Britain Volume X: Animal Songs, Caedmon Records TC1225 (LP, USA, 1961) ↩︎
  2. Mike Yates, notes to The Yellow Handkerchief, Veteran VT136CD (2001) ↩︎
  3. Peter Kennedy, ‘Kent Trip January 1954’ (report submitted to Marie Slocombe, BBC), https://www.peterkennedyarchive.org/1954-2/kent-1954/  ↩︎
  4. Faversham Times and Mercury and North-East Kent Journal, 18 December 1915 ↩︎
  5. East Kent Times and Mail, 19 July 1899 ↩︎
  6. Sheila Smith, ‘Dear father pray build me a boat’, available on I’m a Romany Rai, Topic TSCD 672D. ↩︎
  7. Louisa Lee Scamp, Find a Grave, https://www.findagrave.com/memorial/242771238/louisa-scamp ↩︎
  8. Birth date taken from https://www.findagrave.com/memorial/224581486/oliver-scamp ↩︎
  9. The terms “uncle” and “aunt” might well have been used more widely still – a descendant of the Scamp/Matthews family told me “when I was growing up we use to call the men our uncles and the women our aunts” – Jodie Carr, personal communication via Ancestry.com. ↩︎
  10. Maud Karpeles, Report on Collecting Expedition in Kent, January 14 – 17, 1954 (typescript copy held at the VWML) ↩︎
  11. Peter Kennedy, ‘Kent Trip January 1954’ (report submitted to Marie Slocombe, BBC), https://www.peterkennedyarchive.org/1954-2/kent-1954 ↩︎
  12. Peter Kennedy, report to Marie Slocombe headed Recording Trip: The Border Country: June-July 1954, https://www.peterkennedyarchive.org/1954-2/northumberland-1954/ ↩︎
  13. East Kent Gazette, 10 May 1957 ↩︎
  14. East Kent Gazette, 14 February 1958 ↩︎

Polly Scamp

Mary “Polly” Bird, née Scamp, 1900–1891

Polly Scamp was an older sister of Phoebe and Charlie Scamp. At least one of the songs in Phoebe’s repertoire – ‘Higher Germany’ – came from Polly.1

The identification of Polly with Mary Scamp comes from family historian Calum Mendham via the Findagrave website.2 She was born on 4th February 1900, and was probably the Polly Scamp registered in the Blean district in the first quarter of that year. But there is also a baptism record for a Mary Scamp which appears to relate to the same person. This is from Warehorne, dated 5th April 1900, and it gives her parents’ names as William and Ann Scamp. The official birth record for Polly gives the mother’s maiden name as Jones – and all of these details are consistent with what we know of Phoebe and Charlie’s parents.

I have not been able to locate the family of Bill and Ann Scamp in the 1911 census, either under the name of Scamp, or their alternative surname of Matthews. By June 1921 when the next census was taken Polly / Mary had married another traveller, Henry Bird, and they were to be found living in Fruitpickers’ Huts at Eynsford. Henry, born in Chatham, was 23 years old and employed as a Farm Labourer by M J Lee, Fruit Farmer. Mary, as she appeared here and in subsequent records, was shown as having been born in Margate. She was 22 years old3, and her occupation was given as “Farm Hawker”. They had a son, Henry, less than 1 year old.

At the time of the 1939 Register Mary was, unsurprisingly, to be found at the hop-picking – specifically at Frogs Hall Farm, Tenterden. She and Henry appear to have had two more children, a son and a daughter. Living alongside them were Sam, Henry and Edward Matthews. The latter two were almost certainly her brothers, Henry and Ted Matthews aka Scamp, while Sam was also most likely a relation, possibly one of her half-brothers. Louisa Scamp, who I believe to be her sister, was also at Frog’s Hall Farm with her husband Oliver and son, also Oliver.

Maud Karpeles must have encountered Polly during the course of her folk song collecting trip to Kent in October 1955:

I interviewed  some gipsies, name of Stanley, at Bettenham. They know a number of songs, but I could not ask them to sing  as there had just been a death in the family. I arranged to pay them a visit later on.4

Stanley was presumably a name of convenience used by Henry Bird’s family, in the same way as the Scamps would sometimes use the surname Matthews. In January the following year, Karpeles returned to Kent with Peter Kennedy, and her report makes clear that “Mrs Stanley” was Charlie Scamp’s sister:

Our main objective was Mrs Stanley (real name Mrs Bird), Bettenham, near Cranbrook, a gipsy whom I had met on my previous expedition. On our first visit she was out, but we called again on the morning of the 15th. As I suspected, she has a big repertory of songs. Unfortunately she was suffering from laryngitis. She managed to sing us a few songs, but she was unable to hold the tune and I doubt if this was entirely due to her ailment. She gave us the names of several members of her family, including her brothers, Charles Scamp at Chartham Hatch, near Canterbury, and Oliver Scamp, between Rochester and Sittingbourne, both of whom have a big repertory of songs which they learned from their parents. The Scamps are a big Romany clan scattered all over Kent and most of them seem well-to-do.5

Given the contextual information we have, this must have been Polly / Mary. Sadly no recording of the songs she sang appears to have survived, and we have no way of judging for ourselves if she was, as Karpeles implies, not a particularly skilled singer.

Peter Kennedy’s report on the same trip contains some additional information, and records the fact that Mrs Stanley not only directed the collectors towards Charlie and Oliver Scamp, but also towards Phoebe and Joe Smith in Suffolk:

Friday 15th January

To Mrs. Stanley (Bird) living in a caravan on Mrs. Stern’s farm, 3, Chimneys, Betenham, near Sissinghurst. She and her daughter Peg both had tonsilitis but we got names of large number of songs that she knew. Her life story would be well worth recording. She gave us address of her sister Mrs. Smith, Melton Meadows, Melton, Woodbridge, Suffolk. Her husband, Joe, plays fiddle and melodeon and names of other relations in Kent to whom we went the following day.6

Again, we can only regret that, while Mrs Stanley’s “life story would be well worth recording”, Kennedy never returned to record it.

The death of Mary Bird was registered in the Swale district in the first quarter of 1981. Her record on the Findagrave website states that she died in Faversham at the age of 81, on 11th March 1981, and was buried at All Saints Churchyard, Biddenden.


  1. Phoebe’s son Manny, quoted in the booklet to the CD The Yellow Handkerchief, Veteran VT136CD, 1998. ↩︎
  2. Mary “Polly” Scamp Bird, https://www.findagrave.com/memorial/242450993/mary-bird ↩︎
  3. As of April 2026, the census record on the Findmypast website shows Mary as 32 years old, but checking a scan of the original document suggests that her given age was actually 22 years and 4 months; the transcription is in any case rather suspect – the family’s location is given as “Frumpockins Hunts” rather than “Fruitpickers’ Huts”! ↩︎
  4. Maud Karpeles, Folk Song Collecting Expedition Kent October 12th – 17th 1953, VWML Archive Catalogue MK/1/2/4907. ↩︎
  5. Maud Karpeles, Report on Collecting Expedition in Kent, January 14 – 17, 1954 (typescript copy held at the VWML) ↩︎
  6. Peter Kennedy, ‘Kent Trip January 1954’ (report submitted to Marie Slocombe, BBC), https://www.peterkennedyarchive.org/1954-2/kent-1954/  ↩︎

Charlie Scamp

Charles Scamp, 1908–1988

Charlie Scamp was born on 14th February 1908, and baptised at St Mary’s, Chilham on 25th February. He was the son of William (Bill) Scamp and his second wife Ann (or Mary Ann), née Jones. He had at least three older brothers, and a number of half brothers and sisters, the children of Bill’s first wife Louisa. The family have proved elusive when looking for them in the 1911 census. In the 1921 census they were listed under their alternative surname of Matthews. They were encamped at Mystole, near Chilham; William Matthews was listed as “General Dealer”, Ann as “Licence Hawker”. 13-year old Charlie now had two younger brothers, Edward and Henry, and a younger sister, Phoebe, better known by her married name, Phoebe Smith. Phoebe recalled that the family had moved to Herne Bay when she was about four years old (i.e. around 1917), and later they went to live in Ramsgate (circa 1923), then to Ickham. There were numerous families of Scamps in East Kent, some settled in Canterbury, others in Dover. Charlie’s family would meet up with other kin on their seasonal moves around the country – in the words of Phoebe’s son Manny

we would spend a couple of months here to work, then move on to another area for the next harvest, and we’d meet up with our aunties and uncles and cousins. It would be Essex, near Chelmsford for the sugarbeeting, Kent for the cherries, apples, plums and pears, then up to the Fens for the potatoes.1

By September 1939 Charlie was married, and living in a hut at Three Chimneys Farm, Sissinghurst. His wife’s name was Mary, and it seems very likely that she was the Mary Hilden whose marriage to a Charles Scamp was registered in the Dartford district in the final quarter of 1932. Records in the Medway Archives show that the couple married at All Souls, Crockenhill on 15th October 1932. The groom’s age occupation was “Labourer”, and his residence appears to be “Halbury Corner”. His age was given as 22, which was close to Charlie’s actual age; his father’s name was William Scamp, deceased – and we know that Charlie’s father Bill died in 1931.

The 1939 Register shows that Charlie and Mary had a daughter, also Mary, born in September 1933. There were probably two other children as well – there are two records marked “The record for this person is officially closed”, i.e. these people were still living when the entries were last checked.2

Charlie’s occupation in 1939 was given as “Wood Merchant On own a/c”, and he seems to have continued in this trade for the rest of his working life.

Peter Kennedy, in company with his aunt Maud Karpeles, met Charlie and recorded seven songs from him in January 1954. On 14th January, the first day of their trip, they had visited “Mr. and Mrs. Henry Scamp at Goldwell Farm, near Biddenham” (actually Biddenden), and on 15th they went “To Mrs. Stanley (Bird) living in a caravan on Mrs. Stern’s farm, 3, Chimneys, Betenham, near Sissinghurst”. Mrs Stanley was probably Charlie’s sister Mary, also known as Polly; she gave the two collectors details of where to find her sister, Phoebe Smith.

Then over the weekend of 16th – 17th January

To Mr and Mrs. Hilden, behind Denaway Cafe at bottom of hill down from Detling Aerodrome before Sittingbourne. Then to Scamps at Lower Halstow and then to Bill Scamp at Tonge, who also had a bad throat. Finally to the Scamps at Chartham Hatch.

 Recorded Charlie Scamp at The Royal Oak3

As happens quite frequently with Kennedy, there is some confusion over the actual date these recordings were made. The report he sent to Marie Slocombe at the BBC doesn’t actually say whether he met Charlie Scamp on 16th or 17th January; while the archived Folktrax website4 – and also the catalogue of the British Library Sound Archive5, where the original recordings are now deposited – has 15th January as the date of recording. At any event, Kennedy recorded seven songs from Charlie, including one in Anglo-Romani, and also recorded him talking in Romani with his younger brother Ted Scamp. However the recording session in the pub at Chartham Hatch was brought to an abrupt end when it was interrupted by a police raid, and they had to return to the Gypsy encampment.

These recordings were later released on cassette, on Kennedy’s Folktracks label: excerpts from the brothers’ conversation in the Romany language appeared on FTX-441 Can You Puka Romanes? Languages of the Travellers, while Charlie’s songs were included on FTX-140 O What A Life – English gipsy singers: Sussex & Kent (in 2012 five of the seven songs recorded from Charlie were included on the CD I’m A Romany Rai, a release in Topic Records’ Voice of the People series). The notes accompanying the Folktracks release say:

Charlie Scamp and his family were camped at Chartham Hatch, near Canterbury, Kent, where they had been given the care and wood-cutting rights of a thickly wooded area. The Scamps had already attracted some public interest, as Charlie’s brother, Ted, had been featured in Rupert Croft-Cooke’s book about English Romanies “The Moon in my Pocket”. The author had, for the purpose of his book, purchased a horse drawn wagon and had travelled around the country learning the traveller’s way of life. Ted accompanied him for most of his journeying, but at some point, without any warning, he just went off and left him, to continue his travels on his own.

The recordings were made by Peter Kennedy, in the company of his aunt, Dr. Maud Karpeles, in January 1954. It was Charlie and Ted Scamp that told Peter the whereabouts of Phoebe SMITH, an outstanding gipsy singer featured on the FOLKTRACKS Documentary, 60-100 I AM A ROMANY. Although Phoebe had herself mainly travelled in the Kent area, and annually took part in the hop-picking, she had moved to Suffolk and was living with her husband, Joe, general and scrap-dealer, near Woodbridge, where she was building herself a bungalow.6

Maud Karpeles, who accompanied Kennedy on this “Collecting Expedition”, wrote

Our main objective was Mrs Stanley (real name Mrs Bird), Bettenham, near Cranbrook, a gipsy whom I had met on my previous expedition [in October 1953]. On our first visit she was out, but we called again on the morning of the 15th. As I suspected, she has a big repertory of songs. Unfortunately she was suffering from laryngitis. She managed to sing us a few songs, but she was unable to hold the tune and I doubt if this was entirely due to her ailment. She gave us the names of several members of her family, including her brothers, Charles Scamp at Chartham Hatch, near Canterbury, and Oliver Scamp, between Rochester and Sittingbourne, both of whom have a big repertory of songs which they learned from their parents. The Scamps are a big Romany clan scattered all over Kent and most of them seem well-to-do.

We made great friends with Charles Scamp, at present a timber dealer, and his friendship will be an open sesame amongst other Romanies in the district.  His brother Ted, the hero of a book by Croft Cooke (?), and he are interesting characters. Peter Kennedy recorded some conversation between them in ‘Romanish’.

Peter Kennedy recorded a number of songs from Charles. He has a fine voice and his style, though hardly ‘authentic’, is interesting. He has the florid gipsy way of singing, combined with a conscious voice production (self-trained, of course).  He has modelled himself on Al Johnson. He has a prodigious memory which includes songs of all kinds, but he knows a number of authentic folk songs. He has sung at the Palace Theatre, Ramsgate in a circus show.

His brother Oliver has not taken up the new songs and his style of singing is much more straightforward than that of his brother. Unfortunately he is just recovering from bronchitis, so was unable to sing much and we made only one record. He has a good voice and probably even more songs than his brother. He is willing and anxious to give us his songs and I think he would be well worth another visit in a few weeks’ time. As it is only a short distance from London, probably recording sessions on a Saturday and Sunday, with one night away, would be sufficient.7

Karpeles’ comments on Charlie’s singing style betray the fact that she clearly believed there was an “authentic” way of singing folk songs. When she wrote that he had modelled himself on Al Johnson this is presumably a typo for Al Jolson. It’s certainly true that, perhaps more than any other English travelling singer of whom we have recordings, Charlie Scamp sings in a pronounced “crooning” style, and it does seem likely that this was influenced by listening to popular singers – whether Al Jolson or Bing Crosby or some other star we shall probably never know.

Before singing ‘A Blacksmith Courted Me’ Charlie explained:

These songs that I am a-going to sing to you was made up before songs come about — that is for why that we like singing these songs. It was handed down from my grandfathers right down to my father and to us kiddies, and we exceptionally like ’em and I hope that everybody else do, which I think the old songs is much better than the new songs today.

In fact Kennedy’s recordings show that Charlie prefaced each song with an introduction, frequently asserting that a song was true – not just ‘The Folkestone Murder’, which is of course based on actual events, but also ‘Barbary Allen’, ‘Young Leonard’ and ‘Come, Father, Build Me a Boat’. Introducing the latter he said

These songs that I am singing to you is true. They were a hand-down — handed down from my, great grandfather to his children, right down from my father to us. And I know they are true; that is for why I am singing ’em.

With this song, he recited all the verses, in a somewhat deadpan style, before launching into the song itself – this was something that his sister Phoebe Smith also did on some recordings.

It may have been the same Charlie Scamp who was featured in the first episode of a new radio series trailed in the Sunderland Daily Echo and Shipping Gazette, 23rd April 1958:

CHARLIE, THE LAST OF THE TINKERS

RENE CUTFORTH. whose liking for forthright investigation into the manifestations of our age has resulted in entertaining and revealing features about subjects as diverse as pubs, cheese, vintage cars, and age groups, has been out with his recorder again. This time he has been tracking down modern holders of the much-recited eight ancient offices: Tinker, Tailor, Soldier, Sailor, Rich Man, Poor Man, Beggar Man and Thief.

He will introduce the recordings he obtained in eight weekly features in the Home Service. Beginning on Friday, May 9. at 8 pm., with the title ‘Tinker, Tailor…’ The producer is Maurice Brown.

Among those taking part will be Bob Roberts (sailor), who is skipper of one of the few remaining Thames sailing barges; Ceci Gee (tailor), whose name is familiar in many a shopping district; Jim Phelan (beggar man), whose years of success as author and broadcaster have not diverted him from his original calling; John Bridges (soldier), producer of ‘Saturday Night On the Light’ and a former Guards warrant officer; and Raymond Way (rich man), the well-known car dealer.

NOW RETIRED

The series begins with one of the last of the tinkers, Charles Scamp, now retired from the trade in which there is no longer a living to be gained, but still living with his wife and children in a caravan and tent at Chartham Hatch, near Canterbury, where he has been a familiar figure for years.

A trained craftsman, as were his father and grandfather, he earned his living until a few years ago mending pots and pans with tin and solder, as a true tinker should (though in Scotland and Ireland the name is also given to roadside travellers). Rene Cutforth reports that in spite of the widest search, he was unable to find one man still living entirely by the ancient trade which had its roots as far back as the Bronze Age.

The first programme was reviewed enthusiastically in the Sutton & Epsom Advertiser, 15th May 1958:

René Cutforth started his series, “Tinker, Tailor…” with a winner, in the person of Charles Scamp, one of the few remaining men who have plied the true tinker’s trade, which could only flourish when pots and pans were real, honest-to-goodness affairs that could be tinkered.

Not that this worries Charles Scamp, who is a “traveller” (not a gipsy or Romany, he assures us) and proud of it, and one of the best propagandists you could have for the life of the caravan.

There’s not much he can’t turn his hand to, from buying an orchard to breaking up a Bentley for scrap. And can Mr. Scamp talk! René Cutforth was either very lucky or very astute in finding such a representative. If he does as well with his other characters, he will have a fine portrait gallery by the time he reaches “thief.”

One certainly wants this to have been the same Charlie Scamp whom Peter Kennedy had met a few years earlier. The strongest evidence in favour of this is that both men were camped at Chartham Hatch – although given the number of Scamps in East Kent, it’s by no means impossible that there were two Charlie Scamps camping at Chartham Hatch in the late 1950s. We have no specific evidence of the singer working as a tinker, although no doubt he turned his hand to all sorts of money making activities. Almost 20 years earlier his main occupation had been listed as “Wood Merchant”, and he was working as a timber merchant when Peter Kennedy met him in 1954. So talk of him having “recently retired” from the tinkering trade in 1958 doesn’t quite tally with what we know. But it could be that he’d only recently withdrawn completely from working as a tinker. Or simply a degree of flexibility with the facts on the part of him, the programme makers, or the journalists writing about the programme. Again, we have no specific reference to Charlie’s father Bill working as a tinker – he was listed as “General Dealer” in 1921 census, while elsewhere he is referred to as a horse-dealer.

What definitely doesn’t ring true is the radio tinker’s protestations that he is

a “traveller” (not a gipsy or Romany, he assures us) and proud of it

The Scamps were absolutely a Romany family, and in 1954 Kennedy had recorded Charlie singing and conversing in Anglo-Romani.

It appears that there were at least two other Charles Scamps living in the Canterbury area around this time. The 1939 Register – which showed Charlie and his family camped some distance away near Sissinghurst – listed a Charles Scamp (“Horse Dealer Unemployed”) living at 36 New Ruttington Lane, Canterbury, and another (“Gen Builders Labourer”) at 34 Vauxhall Avenue, Canterbury.  A few months earlier, as reported in the Kentish Express, 24th March 1939, “Charles Scamp and Peter Burnap, Canterbury, were fined 5/- each for poaching at Littlebourne”. But the following week, 31st March, the paper felt obliged to issue this clarification: “In fairness to Mr. Charles Scamp, cattle dealer, of 27, Military-road, Canterbury, we should like to make it clear he was not the person referred to in our report of Wingham Petty Sessions last week as having been fined 5/- for poaching. We apologise to him for any inconvenience that he may have been caused”.

A Charlie Scamp is quoted in a report in the East Kent Gazette, 22nd March 1963, although the reference to his father and brothers serving in World War II suggest a younger man than Charlie the singer:

GIPSIES DENY COUNCIL ALLEGATIONS

The gipsy families encamped in the Sittingbourne area hotly deny the allegations made at Monday’s meeting of Sittingbourne and Milton Urban Council’s Allotments Committee that they are causing damage on  allotments through their horses and dogs wandering, also the more serious allegation of thieving.

Mr. Charlie Scamp, who has been a gipsy all his life, vehemently told an East Kent Gazette reporter. “It’s the same old story, guvnor. We get the blame for everything. It’s not us doing the thieving; we are getting blamed for those who live in houses.”

And he was backed up by Mrs. Patricia Lee, the mother of five young children, and whose husband is an ancestor of the late queen of the gipsies, Mrs Rose Lee.

“These things they say about us are just not true,” she declared “They make these accusations so that they can have some reason for wanting to move us off”

“We tether our animals and take care of them. Everybody is willing to give the gipsies a bad name just because we don’t live like other people,” she added.

‘WE HAVE FEELINGS’

The gipsies declared that they were tired of being hounded from one site to another.

“We are human beings,” said Mrs. Lee, “and I would love to settle down in a house. I would like to given the same consideration as other people. People seem to lose sight of the fact that we have feelings. We don’t take things that don’t belong to us. The people in the houses do that and we get blamed for it.”

Mr. Scamp, too, said that he would like to settle in a house. “We’ve had our name down on Faversham’s list for three or four years and are still waiting. If we can’t have a house why can’t the council find a site for say 25 or 50 trailers?

“We would be willing to pay £1 a week and keep the site tidy, and those who didn’t conform to the council regulations would be kicked off and kept moving on.

‘WON’T LOOK AT ME’

“I want to settle down in one place. I’ve tried to get a mortgage but they won’t look at me. We’ve come to the stage now where education is very important and I don’t want my children to grow up like me, unable to read and write.

“I went to school when I was six and left at 15 and I can’t read or write because in that time I must have gone to 150-200 schools—a day here, a half-day there. I couldn’t stay long at any school because we were kept moving by councils.

“I, and I think I speak for most gipsies, would like to settle down and find a steady job. Foreigners get better treated in this country than we do. My father and his brothers were good enough to fight for the country in the last war and only four of the 12 came back, surely we are entitled to some consideration” he said.

The issues raised here are entirely consistent with those mentioned in 1960s newspaper reports from the Sevenoaks area featuring the Romany Gypsy singers Minty, Levy and Jasper Smith.

Writing in 1977, Mike Yates referred to “the Kent gypsy Charlie Scamp who now lives in Faversham”8 and at his death in 1988 he was living at 18 Tanner Street, Faversham – coincidentally or not, the same street that his sister Phoebe had been born in. It would appear that he had lived here since at least 1963: the Sheerness Times Guardian, 3rd May 1963 reported that “Charles Scamp, of 18 Tanner-street, Faversham, was fined £3 for carrying goods without a licence”. He was fined again two years later, according to the Faversham News, 2nd July 1965:

Father and son, Charles and Monty Montgomery Scamp, both of 18 Tanner Street, Faversham, were charged at Faversham magistrates’ court, last Wednesday, with offences concerning a lorry they run in their business.

They pleaded guilty to using the lorry not fitted with two mirrors and with a defective tyre.

Inspector J. R. Hall, prosecuting said a police constable on motor patrol duty at Ospringe Road on April 3 stopped the lorry which was being driven by Monty Scamp, found there was only one driving mirror fitted and that one of the tyres was in poor condition, with a band of canvas showing round the whole of the circumference.

Charles Scamp, who owns the lorry, told the court that it was being driven from Ospringe into Faversham for repair when the policeman stopped his son. It was not loaded. One mirror had been broken while the lorry was working and the tyre was reasonably good and suitable for re-treading.

Both men were fined a total of £3.

The same newspaper, 21st March 1986 carried a brief report that fire had “severely damaged a four-berth caravan parked at Bessborough Farm, Hernhill. The caravan, owned by Mr Charlie Scamp of Tanners Street, was on land to Mr D. Kay”. And a notice in the East Kent Gazette, 21st August 1986, tells us that Charlie traded as “C. Scamp & Sons”, and was applying to renew “a licence to use Wood Yard, Bysing Wood Road, Faversham, Kent, as an operating centre for two goods vehicles”.

Charlie Scamp died at the age of 80, on 20th February 1988, and his funeral service was held at Faversham Parish Church on 1st March. His funeral merited a report in the Faversham Times, 3rd March 1988:

Gipsies gather at huge funeral

Hundreds of gipsies from all over the county gathered in Faversham on Tuesday for the funeral of 80-year-old former traveller Mr. Charlie Scamp.

Mr. Scamp lived above the Three Tuns in Tanners Street until his death on Saturday.

A lengthy procession of 14 limousines, a hearse and a lorry laden with flowers brought traffic to a standstill as it slowly wended its way from Tanners Street towards the parish church.

At 2.30 the procession travelled from the church to the windy cemetery, where its parked cars took up the whole length of Love Lane. Hundreds of mourning gipsies – some from as far as London – then gathered round Mr. Scamp’s grave for the burial and sang traditional songs.

A spokesman for Faversham police said traffic was delayed for a while.

Somewhat bizarrely, on 17th March the Faversham Times had to issue a correction:

Following our 3 March report on the funeral of Mr. Charlie Scamp, we are asked by solicitors acting for the family to make it clear that Mr. Scamp lived “not above the Three Tuns but at 18 Tanners Street, that he was not an ex traveller or gipsy and that there was not singing of traditional songs around the grave.”

The first point here may simply be a factual correction – he lived not above the Three Tuns in Tanners Street, but in the house next door. However the denial of his Gypsy roots is rather sad, hinting perhaps that his family sought to dissociate themselves from their Romany heritage, because of prejudice and the discrimination which this could bring.

Memorial notices in the Herne Bay Gazette for 22nd February 1991, marking the anniversary of Charlie’s death, show that besides Mary (born 1933) and Monty (born 1946), he had another daughter, Jane (probably born 1944), a son, Tommy (probably born 1939), and at least eight grandchildren.

Songs

  • Atching Tan Song (Roud 1732)
  • Barbary Allen (Roud 54)
  • A Blacksmith courted me (Roud 816)
  • Come Father build me a boat (Roud 273)
  • The Folkestone Murder (Roud 897)
  • How old are you my pretty fair maid? (Roud 277)
  • Young Leonard (Roud 189)

Discography

I’m A Romany Rai: Songs By Southern English Gypsy Traditional Singers, Topic Records, TSCD672D (2012)
https://www.topicrecords.co.uk/2012/04/im-a-romany-rai-tscd672d/

O What A LifeEnglish gipsy singers: Sussex & Kent, Folktracks FTX-140 (cassette)

Can You Puka Romanes? Languages of the Travellers, Folktracks FTX-441 (cassette)

These Folktracks releases have not been available since Peter Kennedy’s death in 2006.


  1. Quoted by Mike Yates, notes to The Yellow Handkerchief, Veteran VT136CD (2001) ↩︎
  2. The rule is “Individuals’ records remain closed for 100 years from their date of birth or until proof of death”. https://www.nationalarchives.gov.uk/help-with-your-research/research-guides/1939-register/#9-living-individuals-and-closed-records ↩︎
  3. Peter Kennedy, ‘Kent Trip January 1954’ (report submitted to Marie Slocombe, BBC), https://www.peterkennedyarchive.org/1954-2/kent-1954/ ↩︎
  4. [4] Folktrax archive, https://folktrax-archive.org/menus/performer_s.htm ↩︎
  5. British Library Sound and Moving Image Catalogue, https://sami.bl.uk/ ↩︎
  6. Folktrax archive, https://folktrax-archive.org/menus/cassprogs/140gypsies.htm ↩︎
  7. Maud Karpeles, Report on Collecting Expedition in Kent January 14 – 17, 1954, copy held at the VWML. ↩︎
  8. Mike Yates, review of I am a Romany (Folktrax FTX100), Traditional Music No. 6, Early 1977. ↩︎

Ken Stubbs

Kenneth Charles Stubbs, 1923–2008

Ken Stubbs was born in Beckenham on 18th November 1923. The September 1939 Register found him, a few couple of months short of his sixteenth birthday, living at 115 Ravenscroft Road in Bromley; he was listed as an     Engineer’s Apprentice. His obituary in the Folk Music Journal relates that

After attending the Beckenham Technical College and Art College, Ken was apprenticed in 1940 as an engraver and lettering artist to the London firm of Charles Skipper and East Ltd, a career that was terminated when he arrived one morning to find the premises had been destroyed by enemy action. Army service followed in France and Belgium, including training for the second wave of glider groups for the Arnhem landings, and he was in Palestine for two years after the war. On demobilization, he responded to the Ministry of Education’s Emergency Scheme for the Training of Teachers and qualified as a general primary school teacher. He bought a house in East Grinstead, teaching in a primary school in Gravesend, and it was in Gravesend that he regularly went to a folk song club and dances run by Fred and Reg Hall. He moved to Lingfield to teach at the primary school there, and in 1966, after attending a course at Manchester University, began teaching at the National Centre for Young People with Epilepsy, again in Lingfield, where staff remember still how much his pupils looked forward to his arts and crafts lessons. He also took a particular interest in remedial reading.

Ken’s involvement in folk music and collecting came through his membership of the Communist Party, after he had been introduced to communism by his army education officer during his time in Palestine. Communism also introduced him to his wife, Joan Durrant, whom he married in October 1953, and it was through Joan that he formed a friendship with the historian E. P. Thompson. East Grinstead had a folk club run by the Communist Party and he attended a lecture on the need to preserve the music and songs of the people, a directive he then proceeded to carry out until 1971.1

Writing in 2013, Paul Marsh noted that

The Communist Party was seen as the only real alternative to fascism. Many of those involved in the post-war folk revival were members. It was believed music could be used as a tool of educational and cultural revolution and folk music, in all its forms, from the traditional songs passed down generations, to the protest songs of the Campaign for Nuclear Disarmament (CND), in which Ken was very active, gave ‘the people’ a voice.

[…]

In 1959 Ken attended a Party lecture on the need to preserve the music and songs of ‘the people’. Inspired he then proceeded to carry out this directive with great enthusiasm.2

Ken Stubbs didn’t drive, so when going out collecting he used public transport and/or a bicycle. Initially he didn’t have access to a tape recorder, so he would jot down the words of a song, and attempt to memorise the tune. The earliest entries in his Field Collection Book3 appear to date from April 1956, and are songs noted from the Sussex singer George ‘Pop’ Maynard. In an article headed ‘Prospecting for songs in South-Eastern England’ which appeared in English Dance & Song, Spring 1975, Stubbs wrote about his experience of collecting, and the article is worth quoting in full:

Nearly twenty years ago I had the good luck to meet Mervyn Plunkett who was collecting folksongs in Sussex. Through him I was able to realize my ambition to learn folksongs by the oral tradition. He instilled into me the aim of every folksinger being his own collector. Another motive I had for collecting was to help bring singing back into the bars of public houses.

A traditional singer whom I met through Mervyn was George (usually called “Pop”) Maynard, of Copthorne, who was famous on the Surrey-Sussex borders for his large repertoire of traditional and music hall songs. From him I learnt many fine complete versions of folk-songs. Before I could borrow a tape-recorder, Pop patiently dictated the words to me. Later, I recorded on tape sixty-five songs, either entire or in part. Before this, Pop had been recorded by the B.B.C. and Mervyn. Pop’s two favourite songs were ” Claudy Banks ” and ” The Old Rustic Bridge,” the latter a music hall song.

His friend Fred Holman made up three songs which Pop sang, one of which has become a folksong: “Shooting Goshen’s Cock-ups.” Garbled versions of it have been collected from Jasper Smith and other gypsies. Another song which was reputed to be based on a true incident is “The Irish Hop-pole Puller.” Pop had several Irish songs, including: “The Pride of Kildare,” “William Lenner” (the Lakes of Coolfin) and “The Brave Irish Soldier.” Of the lesser-known were: “The King and the Forester,” “The Sailor in the North Country,” “The Poacher’s Fate” and “Locks and Bolts.” Pop died in 1962 at the age of ninety. He sang without rhetoric, always maintaining pitch, and his voice possessed a soft timbre. The only singer who compared with him was Harry Cox. He worked usually as a woodcutter, but, since he was proficient in all agricultural crafts, he never was in want of work. Everything he touched he excelled in. Withal, he was modest, and loved by all who knew him.

Through Pop I came to know Jim Wilson, of Three Bridges, famed for his rendition of “The Keyhole in the Door” and “Barbara Allen.” The rasp of his voice cut through the hubbub in any public bar. Another contact in Three Bridges was Pop’s cousin and namesake, George Maynard. From him I learnt “The Bold Fisherman” and a version of “Lord Randal,” but unluckily he died before I could record him.

In search of songs I have visited clubs for old folk. At East Grinstead I recorded “Caroline and her Young Sailor bold,” “Brennan on the Moor” and a few other songs from Mrs. Fanny Pronger. It turned out that one of her grandchildren had married one of Pop’s. Where-ever I sought songs he was known.

At the old folk’s club in Smallfield I met Mrs. Phoebe Chapman. She told me that her songs were sung better by her brother-in-law, Tom Willett. He sang “I’m a Romany Rye, a real diddikai,” and he really was. In his little bungalow on the caravan site which he owned at Ashford, Middlesex, he sang fragments and nearly completed songs to me for a couple of hours one hot afternoon. Later I heard him and his two sons, Chris and Ben, when Topic Records made the record of them at Tom’s site at Queen Street, near Paddock Wood4. Chris’s son, then aged about six, sang a few of his father’s songs. It was heartening to hear that the singing tradition in the family was being carried on. When I told Pop of this fine singer, he said that Tom was an old mate of his who kept horses in Copthorne.

Through Mervyn I met Lewis (Scan) Tester from whom I recorded dozens of dance tunes, mostly “Olde Tyme.” Scan knew the names of few of his many polkas and schottisches, never having been told them by the men from whom he learnt them by ear. He led the Tester Imperial “Jazz” Band, which included his brother Will (on the concertina or melodeon) and his daughter Daisy (on the piano). Scan usually played the fiddle, until his arthritis became too bad, but he also played the Anglo-German concertina and clarinet. The only song which he would sing in public was “William Lenner.”

To record Ern (Rabbitty) Baxter singing “Will the Weaver,” I went to “The Stonequarry,” Chelwood Gate. I discovered that he played the tambourine there each Saturday, with Scan on the concertina. Another time there I was told that an old man present could sing, and, at length, I persuaded him to do so. He sang “While the Gamekeepers Lie Sleeping.” When he finished I announced that I had heard the song sung in the same style by a man many miles away: Tom Willett. This caused general laughter, to my astonishment, and when it had died down, I asked the cause of it. The singer told me that Tom was his (Noah’s) brother. His son (a man of about my own age) sang fragments of “The Coachman” and “In Thorneymoor Wood.”

The singer who is renowned for her singing of “The Cup of Poison” is Mrs. Louise Fuller, formerly Mrs. Saunders. She has a powerful voice, and sings popular songs of the day as well as a few traditional ones. Her singing of “Hopping down in Kent” has become popular at gatherings in public houses.

She and George Spicer are among the more important of the singers whom I have recorded, who are still alive. At 68, he is still young as folksingers go. Since I recorded him, Mike Yates discovered more of George’s songs, four of which are included in the Topic Record: “Blackberry Fold.”

My part of South-Eastern England has yielded a rich harvest of folkmusic. There is no reason to doubt that other parts of England would give a similar yield to the keen collector of traditional songs and tunes.

Stubbs was the first person to record Tom Willett and other members of the Willett Family, although it was not his recordings which appeared on the LP The Roving Journeymen (Topic, 12T84, 1962) – Topic wanted better quality recordings, and sent Bill Leader and Paul Carter to obtain them.

Having moved from Lingfield to Edenbridge, Stubbs met singers and musicians from the Hever Road Gypsy site – notably Bill and Frank Smith – in the public bar of The Crown. He had previously (in 1965) recorded songs from the Romany Gypsies Jasper Smith at Epsom, and his brother Levy Smith at Edenbridge.

As he wrote in the ED&S article quoted above, one of his motives for collecting “was to help bring singing back into the bars of public houses”, and he did his best to encourage this.

Many of the people from whom he collected songs and tunes attended his own ‘Folk Music Parties’, as he liked to call them, which he organized in pubs on the Sussex, Surrey, and Kent borders: The Cherry Tree at Copthorne, The Plough at Three Bridges, and The Crown at Edenbridge. These evenings attracted local performers such as Scan Tester, Ernie Baxter, George ‘Pop’ Maynard, George Spicer, Louise Fuller, Toby Hayward, Jim Wilson, and Brick Harber. Ken would send out postcards, handwritten in his fine calligraphic style, to announce the dates and venues. These he organized until he went to live in the United States in 1980, the last being held at The Queen’s Arms at Cowden Pound, familiarly known as ‘Elsie’s’, which is still active today and surely must be one of the longest-running folk evenings in Kent.5

The session at the Queen’s Head was named after Elsie Maynard the landlady (who famously refused to serve lager in her pub!). Although Stubbs did no more collecting after 1971, he continued to organise his folk music parties; when he moved to the USA, Chris and Jean Addison took over the running of the Elsie’s sessions for the next 25 years. Stubbs also passed his of reel-to-reel tape collection to Chris Addison:

Before he left Ken gave his tapes to Chris, knowing they would be in safe hands, with the wish that he should make the recordings available. He also gave Chris copyright to the recordings, in writing, should he wish to issue any of them in the future.

Chris let people know that he had Ken’s collection, hoping more would be issued from it, but was surprised and disappointed to discover there was little interest in doing so.

A few of his peers did not get on with Ken. They actively avoided him and dismissed his recordings as “of little worth”. There is still a widely-held belief that Ken’s recordings were such poor quality they just weren’t worth bothering with, although most people have never heard all of them.

Ken was a genuine enthusiast, who did his utmost to continue the tradition and the memory of the singers he had known, by singing the old songs he had collected from them. A kind-hearted, generous, unassuming man, Ken was always willing to share his recordings and was hurt by the comments some people made about them.6

A few of his recordings had appeared on LP and CDs – on The Boscastle Breakdown (Topic 12T240, 1974), on the George Maynard LP Ye Subjects of England (Topic 12T286, 1976), and on various volumes of Topic’s Voice of the People series. With Stubbs’ blessing, Paul Marsh undertook to digitise the entire collection, planning to release some tracks on his Forest Tracks label, and ultimately to make the entire collection available on the internet. In May 2008 he took possession of 21 reels of 4 track recordings, on 5 inch and 7 inch reels.

Ken’s collection has taken a lot of sorting out. I’ve worked from his hand-written book in which he lists the tapes by song title and performer, and his card-index of recordings in his collection, which gives some dates and locations. Ken did his best to answer any questions as they came up, but he was very ill and his memory was fading.7

The first release from the collection was A-Swinging Down The Lane, a two CD set presenting Ken Stubbs’ recordings of the Willett Family, all previously unreleased, which appeared in September 2013. Sadly Ken Stubbs did not live to see this album released, and there were no further releases on the Forest Tracks label as Paul Marsh also died, in April 2018. However Stubbs’ sound recordings can be accessed via the VWML Archive Catalogue, at https://archives.vwml.org/records/KS.

The recording equipment which Stubbs had access to was not always of the highest quality, and the recordings which he made in pubs often have loud background noise. Paul Marsh, who clearly had an intimate knowledge of Ken Stubbs’ collection, described it thus:

The contents of Ken Stubbs’ surviving tapes is of a miscellaneous character, containing field recordings made by him and others in Sussex, Kent, and Surrey, radio programmes recorded off-air, dubs from commercial records, and other related material. He copied, and re-copied tracks for various purposes, and individual performances can appear in several places in the collection, often in fragmentary form.

[…]

The field recordings are mainly of two types – domestic recordings made in people’s homes, under relatively controlled conditions, and those made in pubs. The latter, in particular, are often difficult to listen to, as conditions were rarely conducive to good recording practice. The microphone was rarely in the best place, the background noise is often overpowering, performances are often fragmentary, and the starts of the songs routinely missed. Technically, Ken was not particularly skilled in making recordings, or perhaps it is more accurate to say that in the ‘collecting’ situation he was more concerned with making the event successful than with making ‘good recordings’. He was usually involved as organiser, singer and musician, rather than as a professional recordist. Nor was his equipment of good quality, and the tapes as they have survived are all ‘four-track’, which is far from ideal, but was highly economical at the time. In this system, four separate tracks are squeezed onto a quarter-inch tape, and a small difference in alignment of the tape-recorder heads at recording, playing back, copying, or digitisation, results in two tracks being heard at the same time (often with one of them playing backwards). Where possible, this has been eliminated at digitisation stage, but in some cases nothing can be done, and listening is severely compromised.

With all its technical limitations, Ken Stubbs’ collection is extremely valuable as a record of singing and playing in the period, and much pleasure and information can be gained from it. It includes recordings of well-known performers such as Pop Maynard and Scan Tester, useful as comparative performances. The domestic recordings of ordinary people are undeniably valuable in documenting repertoires and styles which would otherwise have been lost to us.8

Ken Stubbs’ article ‘The Life and Songs of George Maynard’ was published in the Journal of the English Folk Dance and Song Society in 1963, and he served on the Board of the Journal (renamed the Folk Music Journal in 1965) from 1964 to 1974. The Life of a Man: English Folk Songs from the Home Counties, a selection of songs collected by Stubbs, was published by the EFDSS in 1970.

When he emigrated to the United States in 1980, it was to work on an organic smallholding. He spent five years there before returning to the UK, settling in Norwich, where he died on 3rd November 2008. David Nuttalls, an old friend who had gone with Stubbs to play and sing in country pubs in the 1960s, ended his Folk Music Journal obituary as follows:

The community aspect of music-making was just one of Ken’s many interests. It was a part of his overall vision of life as he would have it lived, through self-sufficiency, conservation, and the proper management of resources. Bees got into his beard, his goat kept the grass down in the graveyard in Lingfield, and he was an early member of one of the first organic gardening organizations, the Henry Doubleday Research Association. The Labour Party and, later, the Green Party, Friends of the Earth, CND, and the Theosophical Society all benefited from his support. In later years, he regularly attended the High Anglican services at the church of Saint George, Tombland, Norwich.

Although he did no further collecting after 1971, he continued to support and perform at folk events during his time in the United States and, on his return, in Norwich. Acute arthritis later put a stop to his melodeon and fiddle playing, but he could still manage a tune on the mouth organ and, of course, in a direct link with the traditional performers he so admired, he could always sing their songs. He made the contents of his collection freely available to all who appreciated what it contained. Re-establishing folk music in his area of Kent was what he had set out to do, and the result of that work is his legacy to us all.9


  1. David Nuttall, ‘Ken Stubbs (1923–2008)’, Folk Music Journal, Vol. 9, No. 5 (2010), pp. 859-861, accessed from https://www.jstor.org/stable/25654235 ↩︎
  2. Paul Marsh, booklet for The Willett Family, A-Swinging Down The Lane, Forest Tracks, FT2CDKS1 (2013) ↩︎
  3. Actually it’s Field Collection Book 2, implying that there was an earlier Book 1. Scanned images of Book 2 can be accessed via https://sussextraditions.org/ and Books 2 – 8 are indexed in the Roud Index https://archives.vwml.org/search/roud. ↩︎
  4. According to the LP notes, the recordings were made by Bill Leader and Paul Carter at Tom Willett’s home on a caravan site near Ashford, Middlesex. ↩︎
  5. David Nuttall, ‘Ken Stubbs (1923–2008)’, Folk Music Journal, Vol. 9, No. 5 (2010), pp. 859-861, accessed from https://www.jstor.org/stable/25654235. Sadly the Elsie’s session is no more. ↩︎
  6. Paul Marsh, booklet for The Willett Family, A-Swinging Down The Lane. ↩︎
  7. Paul Marsh, booklet for The Willett Family, A-Swinging Down The Lane. ↩︎
  8. Paul Marsh, booklet for The Willett Family, A-Swinging Down The Lane. ↩︎
  9. David Nuttall, ‘Ken Stubbs (1923–2008)’, Folk Music Journal, Vol. 9, No. 5 (2010), pp. 859-861, accessed from https://www.jstor.org/stable/25654235 ↩︎

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