Collected by Ella Bull, 5th March 1910, “from a Kentish man and woman”, Cottenham, Cambridgeshire
Lucy Broadwood MSS Collection LEB/5/88, LEB/5/89
Collected by Ella Bull, 5th March 1910, “from a Kentish man and woman”, Cottenham, Cambridgeshire
Lucy Broadwood MSS Collection LEB/5/88, LEB/5/89
The following account of Ella Bull’s life is quoted from https://www.findagrave.com/memorial/194665935/ella-bull
Ella was born in 1871 into a prosperous fruit growing family from Cottenham [Cambridgeshire]. She was blind from birth, as were two of her four sisters. As a child Ella heard the domestic servants singing folk songs whilst they worked at the Bull family home, ‘Bernards’, 27 High Street, Cottenham. In 1904, Ella contacted the folk song collector W. Percy Merrick and sent him the manuscript notations of several songs, remembered directly from the singing of domestic servant Charlotte Dann (nee Few). William Percy Merrick was himself going blind, and almost certainly knew the Bull family through his involvement in the early development of IPA Braille. Merrick was a member of The Folk Song Society (founded in 1898) and he suggested Ella contacted fellow song-hunter Lucy Broadwood, a founding member and editor of The Folk Song Society’s journal.
Ella remained unmarried and died on June 6, 1922, aged 51. She is buried in the family plot in the Dissenters’ Cemetery.
Besides the songs noted from Charlotte Dann (born 1856, Willingham, Cambridgeshire), in March 1910 she took down the words of one song, ‘Young Spencer the Rover’, “from a Kentish man and woman” in Cottenham. These may have been sent directly to Lucy Broadwood, rather than coming into her possession via Percy Merrick.
The identity of the “Kentish man and woman” is unknown. In the 1911 census there are several individuals living in Cottenham whose birthplace was in Kent, but no married couples who both came from Kent. These individuals were
Sent by Lucy Grahame to Lucy Broadwood, April 1904
Lucy Broadwood MSS Collection LEB/5/182/1, LEB/5/182/2
Roud 4, Child 73
“The name of this Ballad is not known”.
“Learnt orally from the daughters of a Kentish Squire; the last of whom died in 1865 at a very advanced age”.
Lucy Grahame seemed to have some doubts as to whether the melody as transcribed was a correct rendering of “the tune which I heard in my childhood”.
When sending this song to Lucy Broadwood, she pondered on the relationship between ‘Lord Thomas and Fair Eleanor’ and ‘Lord Thomas and Fair Annet (both are now in fact ascribed the same Roud number). She had a niece copy out what is very clearly a Scottish set of words for the ballad ‘Lord Thomas and Fair Annet’, as printed in Old English ballads, Nelson & Sons, 1887 (LEB/5/179). That collection had originally been published by Ward and Lock in 1864, and can be found on the Internet Archive at https://archive.org/details/bub_gb_3gAnoD1n58QC/page/n103/mode/2up
Sent by Lucy Grahame to Lucy Broadwood, April 1904
Lucy Broadwood MSS Collection LEB/5/181/1, LEB/5/181/2, Journal of the Folk-Song Society 2 (1905) pp.136-137
“Learnt from the drs of a Kentish Squire the last of whom died 1865 at an advanced age”.
A baker’s peel is an instrument used for putting bread in the oven.
Sent by Lucy Grahame to Lucy Broadwood, April 1904
Lucy Broadwood MSS Collection LEB/5/180/1, LEB/5/180/2, Journal of the Folk-Song Society 1 (1904) p.265
Roud 54, Child 84
“Learnt from Kentish squire’s daughters (last died vy old in 1865)”
Sent by Lucy Grahame to Lucy Broadwood, April 1904
Lucy Broadwood MSS Collection LEB/5/178/1, LEB/5/178/2, Journal of the Folk-Song Society 2 (1905) pp.113-114
“Learnt from Kentish squire’s daughters, the last of whom died at great age in 1865”.
Mrs Grahame wrote:
This is all of the “Yarmouth Ditty” which I have ever heard. There is, I believe, a good deal more of it, but I have no idea what kind of tragic ending there may be!
Mrs Lucy Grahame, of 3 Markwick Terrace, St Leonard’s on Sea, Sussex, corresponded with Lucy Broadwood in April and May 1904. She sent Miss Broadwood words and music for four songs, three of which were subsequently included in the Journal of the Folk-Song Society. These songs had been learned from the daughters of a Kentish squire, “the last of whom died in 1865 at an advanced age”.
See the following records in the VWML Archive Catalogue:
Baptised Lucy Rayden in Deptford – then part of Kent – on 15th August 1832, her father William Harris Rayden was a merchant (a “Sworn broker ships & insurance”, according to the 1851 census), and the family lived at Blackheath Hill, Greenwich. Clearly the family was well to do: at the time of the 1871 census, Lucy was living with her three sisters at Wellington Square, St Mary in the Castle, Hastings – and all were listed as living on “income from interest on money”.
Lucy married a Scottish merchant, William Smellie Grahame, at St Leonard’s on Sea in 1877. William was nearly 20 years older than his bride. They set up house in Richmond upon Thames, but at some point following his death in 1894, Lucy moved back to St Leonards. She died at the age of 78, in 1912.
Sam Willett was born at Fulking in Sussex in 1831. When he left the Free School at Henfield, his father Edward – who worked as a shoemaker and grocer at Edburton – taught him bootmaking, but he subsequently learned the craft of baking, and was set up as the village baker in Cuckfield probably by the mid-1850s1; at the time of the 1861 census his occupation was given as “Baker…employing 1 boy”.
His obituary in the Mid-Sussex Times, 10th June 1902, gave this account:
Not caring much for cobbling Mr Willett went to Ditchling to learn baking. After a time, owing to his health breaking down, he had to return home. His ability to write music becoming known to the late Mr. Ambrose Dumsday, Bandmaster of the Cuckfield Old Band, he invited him to join the Band, which he did, and played the tenor trombone. This was in 1850.
The Band was composed of eight members, and they practised once a week at what was then known as the Talbot Tap. Finding the walk from Fulking to Cuckfield too long and tiring a journey [10 miles each way, a 3 hour walk], Mr. Willett had serious thoughts of leaving the Band. Mr Dumsday [also landlord of the Talbot], loathe to lose his services, looked about to see if he could get him something to do in Cuckfield, the result being that Mr Willett took over the baker’s business carried on by a man named Taylor, and by sheer hard work and perseverance got a good deal of patronage.2
As well as the trombone, Sam Willett played the cello in the church band, and was well known as a fiddler for local dances. He came to the attention of Lucy Broadwood, and after she sent him a copy of her father’s Sussex Songs in 1890, he supplied her with over 30 songs. One of these was ‘John Appleby’, which he had heard sung by Kentish hop-pickers.
Sam Willett died at Cuckfield on 5th June 1902, at the age of 71.
Sent by Samuel Willett, Cuckfield, Sussex to Lucy Broadwood
Lucy Broadwood and J A Fuller Maitland, English County Songs, Leadenhall Press, London, 1893.
“From Samuel Willett, Cuckfield, Sussex, who got it from Kentish hop-pickers.”
Sam Willett, “the singing baker of Cuckfield”, sent a number of songs to Lucy Broadwood. The original copy of ‘John Appleby’ is missing from the Broadwood manuscript collection held by the EFDSS, but was most likely sent to her by Willett on 15th October 1891, accompanying a letter which states “I enclose a Yorkshire ditty also a Kentish one” (https://archives.vwml.org/records/LEB/2/89).
Lucy Broadwood wrote in English County Songs
“This is not improbably a political song, directed against Oliver Cromwell; Kent produced many squibs upon him, in which, beside being called a brewer, he was frequently described as a drunkard, together with his wife, who was nicknamed Joan”.
However Robert B. Waltz notes that “This would seem a lot more believable if a copy could be found from before the nineteenth century, considering that Oliver Cromwell died in 1658!” (https://balladindex.org/Ballads/BrMa132.html)
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